Title Statements
- Full title :1968 and global cinema / edited by Christina Gerhardt and Sara Saljoughi
Edition Statements
- Publication Date:2018
Publication Statements
- Publisher(s):Wayne State U.P
- Place of Publication:Detroit, Mich
- Language:eng
- Publication Date:2018
Notes
index ; bibliogr.
The Physical Object
- Description:vii, 422 s. : : ill.
Edition Identifiers
- ISBN:9780814342930, 0814342930
- oclc:on1096301588
Table of Contents
Af indholdet: S. 43-60: What am I doing in the middle of the revolution?: Ennio Morricone and The battle of Algiers / Lily Saint. -- S. 61-76: before the revolution: the radical anxiety of Paulo Rocha's cinema / Rocco Giansante. -- S. 117-144: The hour of the furnaces / Rita de Grandis. -- S. 145-164: Toward a new mode of study: the new student left and the occupation of cinema in Columbia revolt and The battlefront for the liberation of Japan -- Summer in Sanrizuka / Morgan Adamson. -- S. 165-182: Oshima, Kores, and 1968: Death by hanging and Three resurrected drunkards / David Desser. -- S. 183-198: The hypothetical and the experimental: reading Lindsay Anderson's If ... alongside Pier Paolo Pasolini's Teorema / Graeme Stout. -- S. 199-218: Obscurity, anthologized: non-relation and enjoyment in Love and anger / Mauro Resmini. -- S. 219-240: Re-presenting the just image: Godard-Gorin's Vent d'est and the radical thwartedness of maoist soldarity after May 1968 / Man-tat Terence Leung. -- S. 289-310: The politics of (in)action: humanism, violence, and revolution in Satyajit Ray's Pratidwandi/The adversary / Sarah Hamblin. -- S. 311-328: Maysels films / J.M. Tyree. -- S. 345-362: Cu…
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