Title Statements
- Full title :Analyzing popular music / edited by Allan F. Moore.
Summary
"How do we "know" music? We perform it, compose it, sing it in the shower; cook, sleep and dance to it. Eventually we think and write about it. This book represents the culmination of such shared processes. Portraying a wide range of genres (rock, dance, TV soundtracks, country, pop, soul, easy listening, Turkish Arabesk), the essays cover methodology, modernism, postmodernism, Marxism and communication." -- Publisher.
Read More ↓Edition Statements
- Publication Date:2008.
- Edition:Digitally printed version
Publication Statements
- Publisher(s):Cambridge University Press
- Place of Publication:Cambridge
- Language:eng
- Publication Date:2008.
Notes
Originally published: 2003.
The Physical Object
- Description:270 s. : : illustrations
Edition Identifiers
- ISBN:0521100356, 9780521100359
- oclc:ocn476877060
- Dewey Decimal:781.64 ANA
Table of Contents
1. Introduction. -- 2. Popular music analysis: ten apothegms and four instances. -- 3. From lyric to anti-lyric: analyzing the words in pop song. -- 4. The sound is 'out there': score, sound design and exoticism in The X-Files. -- 5. Feel the beat come down: house music as rhetoric. -- 6. The determining role of performance in the articulation of meaning: the case of 'Try a Little Tenderness'. -- 7. Marxist music analysis without Adorno: popular music and urban geography. -- 8. Jethro Tull and the case for modernism in mass culture. -- 9. Pangs of history in late 1970s new-wave rock. -- 10. Is anybody listening?. -- 11. Talk and text: popular music and ethnomusicology. -- Bibliography. -- Discography. -- Film/Videography.
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