Anne Carson

Anne Carson: antiquity

by Jansen, Laura

Type Book
Rate 0.0 /5

"From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfa…

Read More ↓
Details
Files
Reviews
Download

Title Statements

  • Full title :Anne Carson : antiquity / Laura Jansen.

Summary

"From her seminal Eros the Bittersweet (1986) to her experimental Float (2016), Bakkhai (2017) and Norma Jeane Baker of Troy (2019), Anne Carson's engagement with antiquity has been deeply influential to generations of readers, both inside and outside of academia. One reason for her success is the versatile scope of her classically oriented oeuvre, which she rethinks across multiple media and categories. Yet an equally significant reason is her profile as a classicist. In this role, Carson unfailingly refuses to conform to the established conventions and situated practices of her discipline, in favour of a mode of reading classical literature that allows for interpretative and creative freedom. From a variety of interrelated thematic foci and directions, the volume explores the erudite indiscipline of Carson's classicism as it emerges in her poetry, translations, essays, and visual artistry. It argues that her classicism is irreducible to a single vision, and that it is best approached as integral to the protean character of her artistic thought. From a multi-praxis, cross-disciplinary perspective, the study collects twenty essays by poets, translators, artists, practitioners and scholars. It turns a spotlight on a series of interrelated issues in Carson's dialogue with antiquity, most prominently, her academic and artistic profile as a classicist, the character of her classical poetics and ethos, the traditions and contexts of her classical thought, her experiments with form, including paratextual materials, her classical translation praxis, and her creative engagement with visual and installation arts. Anne Carson/Antiquity offers the first collective study of the author's classicism, while drawing attention to one of the most avant-garde, multifaceted readings of the classical past"

Read More ↓

Edition Statements

  • Publication Date:2021.
  • Edition:First edition

Publication Statements

  • Publisher(s):Zed Books
  • Place of Publication:London, England
  • Language:eng
  • Publication Date:2021.

The Physical Object

  • Description:1 online resource : : illustrations (colour).

Edition Identifiers

  • ISBN:9781350174788, 1350174785, 1350174769, 9781350174764
  • DOI:10.5040/9781350174788
  • oclc:on1281197830
  • LC Classification:PS3553.A7667
  • Dewey Decimal:818.5409

Table of Contents

Introduction On 'Anne Carson/Antiquity' (Laura Jansen, University of Bristol, UK) -- 1. The Beginning of Now (Anna Jackson, Victoria University of Wellington, New Zealand) -- 2. Chimeras: Empty Space and Melting Borders (Phoebe Giannisi, University of Thessaly, Greece) -- 3. Carson for the non-Classicist (Rebecca Kosick, University of Bristol, UK) -- 4. Écriture and the Budding Classicist (Anastasia-Erasmia Peponi, Stanford University, USA) -- 5. Erring and Whatever (Gillian Sze, Montreal, Canada) -- 6. The Gift of Residue (Laura Jansen, University of Bristol, UK) -- 7. Carson Fragment (Sean Gurd, University of Missouri, USA) -- 8. Shades (Elizabeth D. Harvey, University of Toronto, Canada) -- 9. The Paratextual Cosmos (Paschalis Nikolaou, Ionian University, Greece) -- 10. An Essay on An Essay on Irony (Yopie Prins, University of Michigan, USA) -- 11. The Stesichorean Ethos (P. J. Finglass, University of Bristol, UK) -- 12. Cunning Intelligence (Ian Rae, Western University, Canada) -- 13. Mythical Immersions (Vanda Zajko, University of Bristol, UK) -- 14. Deadly Erotic Tangos and Animal Affinity (Hannah Silverblank, Haverford College, USA) -- 15. Poetry and Profit (Ella Haselswerd…

Read More ↓

Subjects

ART -- Individual Artists Carson, Anne Criticism, interpretation, etc LITERARY COLLECTIONS / Ancient, Classic… LITERARY CRITICISM / Canadian Literary studies: classical, early & me…

Writers

Jansen, Laura

More from this Series

Rate & Review

0.0/5
(0 people Voted)

No reviews yet. Be the first to rate this work.

Files & Downloads

  • Anne Carson: Antiquity -- (.epub)

    EPUB · 5.9 MB · updated
    Login →

  • Anne Carson: Antiquity -- (.pdf)

    PDF · 3.3 MB · updated
    Login →

  • Anne Carson: Antiquity -- (.pdf)

    PDF · 17.3 MB · updated
    Login →
Log in to request a copy