Audio production principles: practical studio applications

by Elmosnino, Stephane

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Title Statements

Full title :Audio production principles : practical studio applications / Stephane Elmosnino.

Summary

"With this all-in-one manual, students and teachers have an easy-to-read reference that provides a reliable and current rundown of the world of sound production, from planning a recording session to mastering the final product. Organized by four main topics - pre-production, recording various instruments, mixing theories and tools, and mastering - Audio Production Principles follows the actual flow of instruction given over the course of a student's tenure. Chapters address etiquette and basic operations for any recording session written in useful, tutorial style language, providing guidelines for beginner audio engineers on topics including pre-production, equipment selection, and mixing tips by instrument. Jumpstarting the mastering process, lessons delve into features unique to specific tools and techniques. All sections offer instructional scenarios of studio setups, asking students to brainstorm the best production technique for each situation. These exercises also help teachers generate new ideas for instruction and production projects of their own."--Provided by publisher.

Edition Statements

Publication Date:2018

Publication Statements

Publisher(s):Oxford University Press
Place of Publication:New York, NY, United States of America
Language:eng
Publication Date:2018

Notes

Includes index.

The Physical Object

Description:xv, 254 pages : : illustrations ; : 28 cm

Edition Identifiers

ISBN:9780190699369, 0190699361, 9780190699352, 0190699353
oclc:ocn986788481
LC Classification:TK7881.4
Dewey Decimal:781.49

1. Introduction -- 2. Studio design basics -- 3. Preproduction -- 4. Microphone basics -- 5. Recording -- 6. Drum kit -- 7. Bass guitar -- 8. Electric guitar -- 9. Acoustic guitar -- 10. Vocals -- 11. Synthesis basics -- 12. Mixing -- 13. Panning -- 14. Equalizers -- 15. Compression, expansion, and gates -- 16. Reverberation and delays -- 17. Saturation -- 18. Mastering -- 19. Conclusion.

Subjects