Berio's Sequenzas

Berio's Sequenzas: Essays on Performance, Composition and Analysis

by Halfyard, Janet K.

Type Book
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Luciano Berio wrote fourteen pieces entitled "Sequenza", along with several versions of the same work for different instruments. This book presents a collection of virtuoso pieces that explore the capabilities of a solo instrument and its player.

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Title Statements

  • Full title :Berio's Sequenzas : Essays on Performance, Composition and Analysis.

Summary

Luciano Berio wrote fourteen pieces entitled "Sequenza", along with several versions of the same work for different instruments. This book presents a collection of virtuoso pieces that explore the capabilities of a solo instrument and its player.

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Edition Statements

  • Publication Date:2007.

Publication Statements

  • Publisher(s):Ashgate
  • Place of Publication:Aldershot
  • Language:eng
  • Publication Date:2007.

The Physical Object

  • Description:306 s

Edition Identifiers

  • ISBN:0754654451, 9780754654452
  • oclc:ocn487304786
  • Dewey Decimal:784.1894

Table of Contents

Foreword; Introduction, David Osmond-Smith -- Part 1 Performance Issues:psychological and musical differences in performance, Cynthia Folio and Alexander Brinkman; Roug romance: Sequenza II as study and statement, Kirsty Whatley; Phantom rhythms, hidden harmonies: the use of the Sostenuto pedal in Berio's Sequenza IV for piano, Leaf and Sonata, Zoe Browder; A dress or a straightjacket? / Rhythm and timing in the two versions of Sequenza I for flute -- Sequenza for trumpet and piano resonance, Jonathan Impett / Facing the questions of structure and rhythm posed by the notation and re-notation of Berio's Sequenza VII for oboe, Patricia Alessandrini; Shadow boxing -- Provoking acts: the theatre of Berio's Sequenzas, Jane K. Halfyard; The Chemins series, Paul Roberts; The compass of communications i Sequenza VIII for violin, Eugene Montague; Sequenza IX for clarinet: text, pre-text, con-text, Andrea Cremaschi; Proliferations and limitations: reworkin the Sequenzas, Edward Venn / Part 2 Berio's Compositional Process and Aesthetics -- Vestiges of twelve tone practice as compositional process in Berio's Sequenza I for flute, Irna Priore; Sonic complexity and harmonic syntax in Sequenza I…

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