Cinema interval

Cinema interval

by Trinh, T. Minh-Ha,, (Thi Minh-Ha)

Type Book
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Vietnamese filmmaker and feminist thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in independent filmmaking. In her writings and interviews, as well as in her filmscripts, Trinh explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of …

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Title Statements

  • Full title :Cinema interval / Trinh T. Minh-ha.

Summary

Vietnamese filmmaker and feminist thinker Trinh T. Minh-ha is one of the most powerful and articulate voices in independent filmmaking. In her writings and interviews, as well as in her filmscripts, Trinh explores what she describes as the "infinite relation" of word to image. Cinema-Interval brings together her recent conversations on film and art, life and theory, with Homi Bhabha, Deb Verhoeven, Annamaria Morelli and other critics. Together these interviews offer the richest presentation of this extraordinary artist's ideas

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Edition Statements

  • Publication Date:1999.

Publication Statements

  • Publisher(s):Routledge
  • Place of Publication:New York
  • Language:eng
  • Publication Date:1999.

Notes

Includes screenplays for A tale of love and Shoot for the contents.

Includes index.

The Physical Object

  • Description:1 online resource (xiv, 274 pages [16] pages of color plates) : : illustrations (some color)

Edition Identifiers

  • ISBN:9781135268923, 1135268924, 9780203949788, 0203949781
  • oclc:ocn846494840
  • LC Classification:PN1998.3.T76
  • Dewey Decimal:791.43/0233/092

Table of Contents

pt. 1. Upward : diving in, non-seeing -- pt. 2. Midway : returning to the scripts -- pt. 3. Downward : surfacing, non-knowing.

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Subjects

Writers

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