Cinema Studies

Cinema Studies: the Key Concepts

by Hayward, Susan

Type Book
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" ... Now fully revised and updated for its fifth edition, the book includes entries on topics such as : acting, audience, CGI, convergence, cult cinema, digitization and globalization, distribution, experimental film, transnational cinema, world cinemas."--Back cover

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Title Statements

  • Full title :Cinema Studies : the Key Concepts.

Summary

" ... Now fully revised and updated for its fifth edition, the book includes entries on topics such as : acting, audience, CGI, convergence, cult cinema, digitization and globalization, distribution, experimental film, transnational cinema, world cinemas."--Back cover

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Edition Statements

  • Publication Date:2017.
  • Edition:5th ed

Publication Statements

  • Publisher(s):Taylor and Francis
  • Place of Publication:Milton
  • Language:eng
  • Publication Date:2017.

Notes

Spectator/spectator-identification/ female spectator.

The Physical Object

  • Description:1 online resource (631 pages)

Edition Identifiers

  • ISBN:9781317214793, 131721479X
  • oclc:on1002028536
  • LC Classification:PN1993.45
  • Dewey Decimal:791.4303

Table of Contents

Cover ; Half Title ; Title Page ; Copyright Page ; Dedication ; Table of Contents ; Preface, how to use the book and acknowledgements; List of key concepts; The key concepts ; acting and performance; action movies; adaptation; agency; anamorphic lens; animation; apparatus; art cinema; art direction; aspect ratio; asynchronization/asynchronous sound; audience; auteur/auteur theory/politique des auteurs/Cahiers du cinéma; avant-garde; Black cinema -- UK; Black cinema, including Blaxploitation movies -- USA; blockbusters; B-movies; Bollywood; British New Wave; buddy films; censorship; CGI.

Cinema nôvocinemascope; cinematographer/director of photography; cinéma-vérité/cinéma direct/direct cinema; class; classical Hollywood cinema/ classical narrative cinema; codes and conventions/classic canons; colour; comedy; continuity editing -- see editing; convergence; costume dramas/heritage cinema/historical films; counter-cinema/oppositional cinema; cross-cutting; cult cinema; cut; day for night; deconstruction; deep focus/depth of field; denotation/connotation; diegesis/diegetic/non-diegetic/extra- and intra-diegetic; digital cinema/post-digital cinema; digitization and globalization.

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