Cinematic fictions

Cinematic fictions

by Seed, David

Type Book
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Cinematic Fictions is often fascinating. Seed makes reference to an impressive range of texts in comparison and counterpoint to those around the key fictions around which each chapter's discussion revolves. This will make this particular study attractive to teachers of early twentieth-century American literature, as well as of American Studies more broadly, of modules that focus on modernity and on visual and film cultures.' Professor Sharon Monteith, University of Nottingham. The phrase "cinem…

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Title Statements

  • Full title :Cinematic fictions / David Seed.

Summary

Cinematic Fictions is often fascinating. Seed makes reference to an impressive range of texts in comparison and counterpoint to those around the key fictions around which each chapter's discussion revolves. This will make this particular study attractive to teachers of early twentieth-century American literature, as well as of American Studies more broadly, of modules that focus on modernity and on visual and film cultures.' Professor Sharon Monteith, University of Nottingham. The phrase "cinematic fiction" generally has been accepted into critical discourse, but usually only in the context of postwar novels. This volume examines the influence of a particular medium, film, on another, the novel, in the first half of twentieth-century American literature. Offering new insights into classics such as The Great Gatsby and The Grapes of Wrath, as well as discussing critical writings on film and active participation in filmmaking by major writers such as William Faulkner, Cinematic Fictions will be compulsory reading for scholars of American film and literature alike.

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Edition Statements

  • Publication Date:2009.

Publication Statements

The Physical Object

  • Description:318 pages ; : 25 cm

Edition Identifiers

  • ISBN:9781846312120, 1846312124, 9781846318122, 1846318122
  • oclc:ocn473428651
  • LC Classification:PS374.M55
  • Dewey Decimal:813.5209

Table of Contents

Beginnings -- Modernist experiments : Gertrude Stein and others -- H.D. and the limits of vision -- Ernest Hemingway : the observer's visual field -- Success and stardom in F. Scott Fitzgerald -- William Faulkner : perspective experiments -- John Dos Passos and the art of montage -- Dreiser, Eisenstein and Upton Sinclair -- Documentary of the 1930s -- John Steinbeck : extensions of documentary -- Taking possession of the Images : African American writers and the cinema -- Into the night life : Henry Miller and Anaïs Nin -- Nathanael West and the Hollywood novel.

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