Creative arts research: narratives of methodologies and practices
by Brearley, Laura Grierson, Elizabeth Hamm, Treahna
Creative Arts Research: Narratives of Methodologies and Practices is an innovative set of essays that grows out of active engagement with arts practice, pedagogy and research. The collection presents a selection of arts-based research projects, their methodologies, practices and guiding philosophies, and throws new light on a range of issues that bring artists, designers, and performers into conversation with one another. The collection weaves together theoretical and applied dimensions of crea…
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- Full title :Creative arts research : narratives of methodologies and practices / Elizabeth Grierson, Laura Brearley, [lead authors and editors] ; Treahna Hamm [and others].
Summary
Creative Arts Research: Narratives of Methodologies and Practices is an innovative set of essays that grows out of active engagement with arts practice, pedagogy and research. The collection presents a selection of arts-based research projects, their methodologies, practices and guiding philosophies, and throws new light on a range of issues that bring artists, designers, and performers into conversation with one another. The collection weaves together theoretical and applied dimensions of creative arts research. Following Martin Heidegger, the lead authors, Elizabeth Grierson and Laura Brearley situate the text through consideration of ways of framing, knowing and being, looking and listening, analysing, being-with, proposing, acting and reflecting, constructing, performing, deconstructing, and learning.
Heidegger’s notion of “gathering” and his proposition, “Questioning builds a way ... the way is one of thinking” provides the means to link the different chapters. This wide-ranging metaphoric device allows the authors to emphasise a set of fundamental questions concerning epistemologies, ways of knowing, and ontologies, ways of being, and the relations between the two. Their book opens a conceptual space to recognise the diversity of practices that count as creative arts research. “This collection is authentic, it speaks to the reader, it raises many questions and it theorises methodologies and practices of creative arts research in ways that the art student, the teacher, the practitioner, and the lecturer will find philosophical, interesting and methodologically insightful. The collection is to be welcomed as breaking new ground and it will have a deserved readership beyond the confines of the academic art-based community.” Michael A. Peters.
Edition Statements
- Publication Date:©2009.
Publication Statements
- Publisher(s):Sense Publishers
- Place of Publication:Rotterdam, The Netherlands
- Language:eng
- Publication Date:©2009.
The Physical Object
- Description:xiii, 187 pages : : illustrations ; : 25 cm.
Edition Identifiers
- ISBN:9789087909956, 9087909950, 9789087909963, 9087909969
- oclc:ocn551433734
- LC Classification:NX280
- Dewey Decimal:700.72
Table of Contents
Introducing creative arts research / Elizabeth Grierson and Laura Brearley -- Navigating the conditions of knowledge and becoming a creative subject / Elizabeth Grierson -- Stories from the spaces between indigenous and non-indigenous knowledge systems / Laura Brearley and Treahna Hamm -- From reverie to reality / Lesley Duxbury -- Finding a way to be with the work / Robyn Barnacle -- Art as proposition : from the Darwin translations / Lyndal Jones -- Researching and writing the screenplay / Lisa Dethridge -- Epistemic, temporal and productive aspects of design research / Peter Downton -- Perspectives on performance and performativity / Elizabeth Grierson, Emma Barrow and Kipps Horn -- Risks, imagination and reflexivity / Elizabeth Grierson -- A postscript / Elizabeth Grierson and Laura Brearley.
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