Dialogic materialism: Bakhtin, embodiment and moving image art

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Dialogic Materialism: Bakhtin, Embodiment and Moving Image Art argues for the relevance of Mikhail Bakhtin''s theories of dialogism as a means of examining the interdisciplinary nature of contemporary moving image art forms. The volume comprises six chapters divided into two sections. The first section, Part I, illustrates the key concepts in Bakhtin''s multifaceted dialogism and develops these ideas in relation to moving image art. The main focus of this first part is the proposal of what the …

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Title Statements

Full title :Dialogic materialism : Bakhtin, embodiment and moving image art / Miriam Jordan-Haladyn.

Summary

Edition Statements

Publication Date:2014.

Publication Statements

Publisher(s):Peter Lang
Place of Publication:Bern
Language:eng
Publication Date:2014.

The Physical Object

Description:1 online resource

Edition Identifiers

ISBN:9781453912270, 1453912274, 1322116628, 9781322116624
oclc:ocn890164496
LC Classification:BH221.R84
Dewey Decimal:701

Cover; Contents; List of Illustrations; Acknowledgements; Introduction; Bakhtin and Moving Image Art; Bakhtin, Art and the Plastic Body; The Plastic Body as a Living Material Screen; Bakhtin and Moving Image Art; PART I; Chapter 1: Dialogism and Its Material Context; Artistic Speech and Its Embodied Forms; The Body Takes on Flesh; Inner and Outer Dialogue; Chapter 2: Dialogic Materialism: Artist -- Artwork -- Observer; Dialogic Bridge between World and Experiential Self; The Sensible Materiality of Inner and Outer Speech; Dialectical or Dialogical Materialism?; PART II.

Chapter 3: Given and Created: Stan Douglas Subject To A Different ResponseThe Aesthetic Object and the Givens of Speech; The mise-en-scène of Difference; Material Performance of Plastic Speech; Chapter 4: Chronotopic Bodies and the We of Aesthetic Discourse: Jamelie Hassan's Films and Videos; Drawing the Lines of Our Chronotopic Bodies; The Semantics of Material Discourse; Speech and the Material World; The Plastic Bodies of Aesthetic Culture; Chapter 5: Polyphonic Screens: Chris Marker and Embodied Memory; The Body and the Amorphous Construction of Memory; The Observer as a Polyphonic Screen.

A Multitude of Bodi…