Title Statements
- Full title :Didi-Huberman and the image / Chari Larsson
Summary
This is the first English-language study of the legendary French art historian Georges Didi-Huberman. With clear discussions of Didi-Huberman's ideas and arguments, this book offers an excellent introduction to one of the most influential critical thinkers writing today.
Read More ↓Edition Statements
- Publication Date:©2020
Publication Statements
- Publisher(s):Manchester University Press
- Place of Publication:Manchester
- Language:eng
- Publication Date:©2020
The Physical Object
- Description:1 online resource
Edition Identifiers
- ISBN:9781526149251, 1526149257, 9781526149275, 1526149273
- oclc:on1200307370
- LC Classification:N7483.D53
- Dewey Decimal:709.2
Table of Contents
Intro -- Front matter -- Cover -- Half-title -- Title Page -- Copyright -- Table of Contents -- List of Figures -- Acknowledgements -- Introduction -- Representation and its discontents -- Notes -- The archaeological art historian -- Archaeological critique: mimesis as 'totem-notion' -- An aesthetics of the symptom -- Hysterical looking: Freud and Charcot -- Notes -- The materiality of images -- Fra Angelico -- Dissemblance and presence -- Notes -- Timely anachronisms -- Rethinking temporality -- Walter Benjamin -- Aby Warburg -- Montage -- Notes -- The empreinte -- Simon.Hantaï
Empreinte as trace, trace as empreinte -- Against.Vasari -- On the liminal status.of.wax -- The index as vestige -- Notes -- Making monsters -- Son of.Saul -- Notes -- Thinking.images -- Montage as an epistemological.tool -- Notes -- Conclusion -- Notes -- Bibliography -- Index
Subjects
Writers
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