Difference and orientation: an Alexander Kluge reader

by Kluge, Alexander

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Title Statements

Full title :Difference and orientation : an Alexander Kluge reader / by Alexander Kluge ; edited by Richard Langston.

Summary

Alexander Kluge is one of contemporary Germany's leading intellectuals and artists. A key architect of the New German Cinema and a pioneer of auteur television programming, he has also cowritten three acclaimed volumes of critical theory, published countless essays and numerous works of fiction, and continues to make films even as he expands his video production to the internet. Despite Kluge's five decades of work in philosophy, literature, television, and media politics, his reputation outside of the German-speaking world still largely rests on his films of the 1960s, 70s, and 80s. With the aim of introducing Kluge's heterogeneous mind to an Anglophone readership, Difference and Orientation assembles thirty of his essays, speeches, glossaries, and interviews, revolving around the capacity for differentiation and the need for orientation toward ways out of catastrophic modernity. This landmark volume brings together some of Kluge's most fundamental statements on literature, film, pre- and post-cinematic media, and social theory, nearly all for the first time in English translation. Together, these works highlight Kluge's career-spanning commitment to unorthodox, essayistic thinking.

Edition Statements

Publication Date:©2019

Publication Statements

Publisher(s):Cornell University Press and Cornell University Library
Place of Publication:Ithaca
Language:eng
Publication Date:©2019

Notes

"A Signale book."

The Physical Object

Description:xiv, 533 pages : : illustrations ; : 23 cm.

Edition Identifiers

ISBN:9781501739200, 1501739204, 9781501739217, 1501739212
oclc:on1153784992
LC Classification:PT2671.L84
Dewey Decimal:838/.91409

Part I. Introduction -- The Guardian of difference: the essayist Alexander Kluge by Richard Langston -- Part II. Literature -- The difference: Heinrich von Kleist (1985) -- Storytelling is the representation of differences (2001) -- The peacemaker (2003) -- Companions in now-time (2007) -- Storytelling means dissolving relations (2008) -- Theory of storytelling: lecture one (2013) -- What is a metaphor? (2016) -- Part III. Film -- Word and film (1965) by Edgar Reitz, Alexander Kluge, and Wilfried Reinke -- Bits of conversation (1966) -- The realistic method and the "filmic" (1975) -- Film: a utopia (1983) -- A plan with the force of a battleship (2008) -- No farewell to yesterday: new German cinema from 1962 to 1981 as seen from 2011 (2012) -- Part IV. From classical to new media: opera, television, Internet -- An answer to two opera quotations (1983/84) -- On the expressions "media" and "new media": a selection of keywords (1984) -- Medialization -- Musealization (1990) -- The opera machine (2001) -- Primitive diversity (2002) -- Planting gardens in the data tsunami (2010) -- Part V. Theory -- The role of fantasy (1974) -- The function of the distorted angle in the destructive in…

Subjects

Cinéma Cinéma -- Histoire Criticism, interpretation, etc Fernsehen Film History Literatur Literature Literature -- History And Criticism Littérature Littérature -- Histoire et critique Médias Medientheorie Motion pictures Motion pictures -- History Neue Medien Oper Sciences sociales Sciences sociales -- Philosophie Social sciences -- Philosophy