East Asian-German cinema

East Asian-German cinema: the transnational screen, 1919 to the present

by Cho, Joanne Miyang

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Title Statements

  • Full title :East Asian-German cinema : the transnational screen, 1919 to the present / edited by Joanne Miyang Cho.

Edition Statements

  • Publication Date:2021.
  • Edition:1st

Publication Statements

  • Publisher(s):Routledge
  • Place of Publication:London
  • Language:eng
  • Publication Date:2021.

Notes

<P>1. German Cinema, German Hybrid Cinema, and Organization </P><I><P>Joanne Miyang Cho</P></I><B><P></P><P>Part 1: Film Adaptations and Representations of the German-East Asian Relationship, 1919-1945 </P><P></P></B><P>2. Implicating Buddhism in Madame Butterfly's Tragedy: Japonisme and Japan-Bashing in Fritz Lang's <I>Harakiri </I>(1919)</P><I><P>Qinna Shen</P></I><P></P><P>3. The Familiar Unfamiliar: Japan in Interwar German Feature Films</P><I><P>Ricky W. Law</P></I><P></P><P>4. <I>A Loving Family</I> (<I>Ai no ikka</I>, 1941). The Transcultural Film Adaptation of a Classic German Children's Book in Wartime Japan</P><I><P>Harald Salomon</P></I><P></P><P>5. Documentaries about Jewish Exiles in Shanghai: Witness Testimony and Cross-Cultural Public Memory Formation</P><I><P>Birgit Maier-Katkin</P></I><P></P><B><P>Part 2: Representations of Gender in the 1950s and 1960s: Asian Femininity and Idealized Masculinity </P><STRIKE><P></P></B></STRIKE><P>6. A Façade of Solidarity: East Germany's Attempted Dialogue with China in <I>The Compass Rose </I>(<I>Die Windrose, </I>1957)</P><I><P>Qingyang Zhou</P></I><P></P><P>7. The World(s) of Anna Suh: Race, Migration, and Ornamentalism in <I>Bis zum Ende aller Tage</I> (<I>Until the End of Days</I>, 1961)</P><I><P>Zach Ramon Fitzpatrick</P></I><P></P><P>8. Idealized Masculinity, National Identity, and the Other: The James Bond Archetype in German and Japanese Spy Fiction </P><I><P>Aaron D. Horton</P></I><P></P><B><P>Part 3: Cultural Globalization and the Persistence of the Popular Since the 1970s </P><P></P></B><P>9. China's Encounter with Mozart in Two Films: From Musical Modernity to Cultural Globalization </P><I><P>Jinsong Chen</P></I><P></P><P>10. The Persistence of the Popular: The Cinemas of National Division in Germany and Korea</P><I><P>Steve Choe</P></I><P></P><P></P><B><P>Part 4: East Asian-German Entanglements Since the 1980s</P><P></P></B><P>11. Temporal Structures & Rhythms in Wenders' <I>Tokyo-Ga</I> (1985) and Ottinger's <I>The Korean Wedding Chest</I> (2009)</P><P><I>Shambhavi Prakash</P></I><P></P><P>12. My Own Private Tokyo: The Japan Features of Doris Dörrie </P><I><P>Bruce Williams</P></I><P></P><P>13. Claiming Cultural Citizenship: East Asian-German Presence on YouTube and Public Television's www.funk.net</P><I><P>Sabine von Dirke</P></I>

The Physical Object

  • Description:1 online resource : : illustrations (black and white).

Edition Identifiers

  • ISBN:9781000461381, 1000461386, 9781000461374, 1000461378, 9781003157540, 1003157548
  • DOI:10.4324/9781003157540
  • oclc:on1285685719
  • Dewey Decimal:791.430943

Subjects

Cinéma -- Histoire. -- Allemagne East Asia East Asia -- Foreign public opinion, Ge… East Asians East Asians -- Germany Est-Asiatiques -- Allemagne Germany Germany -- Foreign public opinion, East… History Motion pictures Motion pictures -- History. -- East Asia Motion pictures -- History. -- Germany Motion pictures, German Motion pictures, German -- History. -- … Opinion publique -- Allemagne Public opinion Public opinion -- East Asia Public opinion -- Germany Public opinion, German

Writers

Cho, Joanne Miyang

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