EBOOK

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Examines the tribute and cover band phenomenon and its place within the global popular music industry. This book also looks at music industry attitudes towards imitation, including copyright issues and the use of multimedia performance techniques to deliver the 'authentic' tribute experience.

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Title Statements

Full title :EBOOK.

Summary

Edition Statements

Publication Date:©2006.

Publication Statements

Publisher(s):McGraw-Hill Education
Place of Publication:Buckingham
Language:eng
Publication Date:©2006.

The Physical Object

Description:1 online resource (269 pages).

Edition Identifiers

ISBN:9780335229864, 0335229867
oclc:on1371446886
LC Classification:ML3470 -- .A29 2006eb
Dewey Decimal:781.64

Front cover -- Half title -- Title -- Copyright -- Contents -- List of Contributors -- Acknowledgements -- Introduction -- PART 1 INDUSTRIES AND AUDIENCES -- Chapter 1 Even better than the real thing? Understanding the tribute band phenomenon -- Chapter 2 'You've got to carry that weight': tribute acts in the entertainment supermarket -- Chapter 3 Roses and rotten tomatoes: a case study of Liverpool's Mathew Street festival and the contested spaces of cultural redevelopment -- Chapter 4 The Beatles live in Moscow, 1982: tribute audiences, music history and memory -- PART 2 TRIBUTE CASE STUDIES -- Chapter 5 The music goes on and on and on... and on -- popular music's affective franchise -- Chapter 6 In the wake of Hendrix: reflections on a life after death -- Chapter 7 Fabricating the Fab Four: pastiche and parody -- Chapter 8 'Smoke gets in your ears': the Marlboro Flashback tour as agent of change in the Netherlands -- Chapter 9 Yearning for eleki: on Ventures tribute bands in Japan -- Chapter 10 All the King's Elvii: identifying with Elvis through musical tribute -- Chapter 11 Selling out or buying in? The dual career of the original and cover band musician -- Chapter 12 Toca Ra…