Title Statements
- Full title :Filming horror : Hindi cinema, ghosts and ideologies / Meraj Ahmed Mubarki.
Edition Statements
- Publication Date:2016.
Publication Statements
- Publisher(s):SAGE Publications
- Place of Publication:New Delhi
- Language:eng
- Publication Date:2016.
The Physical Object
- Description:1 online resource (1 recurso electrónico.)
Edition Identifiers
- ISBN:9789351508731, 9351508730
- oclc:on1105534455
- Dewey Decimal:791.430954
Table of Contents
Preface; Acknowldgements; INDIAN CINEMA AND IDEOLOGY; Hindi Cinema and Ideology; Cinema in the Colonial Context; GENRE, CODES AND THE HORROR CINEMA; Genre and Its Functionality; Horror Genre and Spectatorship; Freud and the Uncanny; Robin Wood's Return of the Repressed; Julia Kristeva and the Abject; Generic Codes of the Hindi Horror; Conjunctions and Departures with Hollywood; Generic Features of the Hindi Horror; Horror Cinema as Project of/for the 'Nation'; Nature of the Hindi Horror Genre; SECULAR CONSCIOUS NARRATIVE; Secularism in the Indian Context; Mahal: The Inaugural Moment of the Secular Consciousness; Madhumati; Kohraa; Bhool Bhulaiyaa; RETURN OF TRADITIONAL-CULTURAL NARRATIVE; Jadu Tona; Gehrayee; Phoonk; The Horror in Science Fiction: Between Morals and Mad Scientists; Historicity of the Monstrous Narrative; India and the Discourse of Science; Monstrosities from Science or Monstrous Science?; The Horror of Transmutation; The Triumph of the Traditional/Mythic Order; ; The Monstrous 'Other' Feminine; Mangalsutra and the Monstrous Other Feminine; Veerana; Modernization of Patriarchy and Post-liberalization Female Monstrosity; Raaz; Eight: The Power of Shani; Darling; THE…
Read More ↓Writers
No reviews yet. Be the first to rate this work.
Rate & Review