Graphic music analysis

Graphic music analysis

by Wen, Eric

Type Book
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This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.

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Title Statements

  • Full title :Graphic music analysis / Eric Wen.

Summary

This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.

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Edition Statements

  • Publication Date:2020

Publication Statements

  • Publisher(s):Rowman & Littlefield
  • Place of Publication:Lanham, Maryland
  • Language:eng
  • Publication Date:2020

The Physical Object

  • Description:xiv, 375 pages : : music ; : 28 cm

Edition Identifiers

  • ISBN:9781538104651, 1538104652, 9781538104668, 1538104660
  • oclc:on1103676285
  • LC Classification:MT6
  • Dewey Decimal:781.1/7

Table of Contents

SECTION 1 GRAPHIC MUSIC ANALYSIS -- Chapter 1 Highlighting Notes and Making Connections between Them -- Chapter 2 Figuration -- Chapter 3 The Linear Progression -- Chapter 4 The 5-6 Succession -- Chapter 5 Structural Levels -- Chapter 6 Analysis of the Introduction to Mozart's String Quartet in C Major, K. 465 "Dissonance -- SECTION 2 SEMPER IDEM, SED NON EODEM MODO -- Chapter 7 The Fundamental Structure (Ursatz) -- Chapter 8 Urlinie Descents from 3 -- Chapter 9 Urlinie Descents from 5 -- SECTION 3 TECHNIQUES OF ELABORATING THE URSATZ -- Chapter 10 Substitution -- Chapter 11 Delaying the Initial Tone of the Urlinie -- Chapter 12 Boundary Play and the Obligatory Register -- Chapter 13 Sequences -- Chapter 14 Nonstructural Harmonies -- Chapter 15 Implied Tones -- Chapter 16 Mixture -- Chapter 17 Relocating the Urlinie -- Chapter 18 The Phrygian 2 -- Chapter 19 The Auxiliary Cadence -- Chapter 20 Nontonic Expansions -- SECTION 4 TONAL STRUCTURE AND MUSICAL FORM -- Chapter 21 The Parallel Period (A A) -- Chapter 22 Variants of the Parallel Period -- Chapter 23 A B A Form -- Chapter 24 A B A Form -- Chapter 25 A B A Form (with compound A) -- Chapter 26 Sonata Form in the Major Mode -- …

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