Haydn

by Wyn Jones, David

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Title Statements

Full title :Haydn / edited by David Wyn Jones (Cardiff University, UK).

Summary

"This volume brings together a selection of the most stimulating and influential writing on Haydn and his music in the English language. Written by a range of established and younger scholars it probes a variety of aesthetic, biographical, compositional, performance and reception issues. A specially written introduction summarizes the significance of each essay, directs the reader to appropriate complementary material and seeks the common ground between the essays; to assist with consistent referencing the individual essays retain their original pagination. This representative compendium of Haydn research provides the opportunity to explore the intellectual diversity of recent scholarship and is an indispensable publication for students of Haydn, whether new or old, amateur or professional."--Provided by publisher.

Edition Statements

Publication Date:2016.

Publication Statements

Publisher(s):Routledge
Place of Publication:London
Language:eng
Publication Date:2016.

Notes

Originally published 2015 by Ashgate Publishing.

The Physical Object

Description:1 online resource (xiv, 346 pages)

Edition Identifiers

ISBN:9781351564076, 1351564072, 9781351564052, 1351564056
DOI:10.4324/9781315093093
oclc:on1067191880
LC Classification:ML410.H39
Dewey Decimal:780.92

Part PART I LIFE AND LEGACY -- chapter 1 Vernon Gotwals (1959), 'The Earliest Biographies of Haydn', Musical Quarterly, 45, ppages 439-59. -- chapter 2 Emily Green (2011), 'A Patron among Peers: Dedications to Haydn and the Economy of Celebrity', Eighteenth-Century Music, 8, ppages 215-37. -- chapter 3 James Webster (1984), 'The Falling-Out between Haydn and Beethoven: The Evidence of the Sources', in Lewis Lockwood and Phyllis Benjamin (eds), Beethoven Essays. Studies in Honor of Elliot Forbes, Cambridge, MA: Harvard University Press, ppages 3-45. -- chapter 4 Leon Botstein (1998), 'The Consequences of Presumed Innocence: The Nineteenth-Century Reception of Joseph Haydn', in Haydn Studies, Cambridge: Cambridge University Press, ppages 1-34. -- part PART II CREATIVE IMPULSES -- chapter 5 Felix Diergarten (2011), ' -- chapter 6 Elaine R. Sisman (1990), 'Haydn's Theater Symphonies', Journal of the American Musicological Society, 43, ppages 292-352. -- chapter 7 Michael Brago (1984), 'Haydn, Goldoni, and Il mondo della luna', Eighteenth-Century Studies, 17, ppages 308-32. -- chapter 8 Gretchen A. Wheelock (1991), 'Engaging Strategies in Haydn's Opus 33 String Quartets', Eighteenth-Ce…