Hindi cinema

Hindi cinema: repeating the subject

by Bhattacharya, Nandini

Type Book
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Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India.The book looks at how cinema presents liminal and counter-modern identities emerging within repeated modern attempts to re-e…

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Title Statements

  • Full title :Hindi cinema : repeating the subject / Nandini Bhattacharya.

Summary

Hindi Cinema is full of instances of repetition of themes, narratives, plots and characters. By looking at 60 years of Hindi cinema, this book focuses on the phenomenon as a crucial thematic and formal code that is problematic when representing the national and cinematic subject. It reflects on the cinema as motivated by an ongoing crisis of self-formation in modern India.The book looks at how cinema presents liminal and counter-modern identities emerging within repeated modern attempts to re-enact traumatic national events so as to redeem the past and restore a normative structure t.

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Edition Statements

  • Publication Date:c2013.

Publication Statements

  • Publisher(s):Routledge
  • Place of Publication:London
  • Language:eng
  • Publication Date:c2013.

Notes

Description based upon print version of record.

The Physical Object

  • Description:1 online resource (233 p.).

Edition Identifiers

  • ISBN:0203084179, 9780203084175, 1136189874, 9781136189876
  • oclc:on1162532912
  • LC Classification:PN1993.5.I8
  • Dewey Decimal:791.430899143

Table of Contents

Cover; Title; Copyright; Contents; List of figures; Acknowledgments; Introduction; 1 Structure, event, and liminal practices in recent Hindi films; 2 Imagining the past in the present: violence, gender, and citizenship in Hindi films; 3 The man formerly known as the actor: when Shah Rukh Khan reappeared as himself; 4 Romancing religion: Bollywood's painless globalization; 5 Love triangles at home and abroad: male embodiment as queer enactment; Notes; Bibliography; Index

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Subjects

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