Indira Goswami: margins and beyond

<P><B>SECTION I</B></P><P><B>The Fiction of Indira Goswami</B></P><P><B>a. Extracts from Novels</B></P><P>Chapter 1: <I>Datal Hatir Uye Khowa Howdah</I></P><P>Translated by Dibyajyoti Sarma </P><P> </P><P>Chapter 2: <I>Neelakanthi Braja</I></P><P>Translated by Gayatri Bhattacharyya</P><P> </P><P>Chapter 3: <I>Tej Aru Dhulire Dhushorito Pristha</I></P><P>Translated by Pradip Acharya</P><P> </P><P>Chapter 4: <I>Ahiran</I></P><P> Translated by Dibyajyoti Sarma</P><P> </P><P><B>b. Extracts from Short Stories</B></P><P>Chapter 5: "Jatra"</P><P>Translated by Anindita Kar </P><P> </P><P>Chapter 6: "Pashu"</P><P>Translated by Anindita Kar</P><P> </P><P>Chapter 7: "Sanskar"</P><P>Translated by Anindita Kar</P><P> </P><P>Chapter 8: "Parashu Patarar Naad"</P><P>Translated by Anindita Kar</P><P> </P><P><B>SECTION II</B></P><P><B>The Non-Fictional Works of Indira Goswami</B></P><P><B> </B></P><P>Chapter 9: <I>An Unfinished Autobiography</I></P><P>Translated by Dibyajyoti Sarma </P><P> </P><P>Chapter 10: Border Conflict, Love from Pakistan, and a Poem</P><P>Translated by Stuti Goswami and Jahnu Bharadwaj</P><P><B> </B></P><P>Chapter 11: The Last Meeting of Indira Gandhi and Amrita Pritam</P><P>Translated by Stuti Goswami and Jahnu Bharadwaj </P><P> </P><P>Chapter 12: Burning</P><P>Translated by Stuti Goswami and Jahnu Bharadwaj </P><P> </P><P>Chapter 13: The Immortality of the Assamese Language</P><P>Translated by Stuti Goswami and Jahnu Bharadwaj </P><P> </P><P>Chapter 14: At the Hunger Strike of Harijan-workers in Raebareli</P><P>Translated by Daisy Barman </P><P> </P><P>Chapter 15: Chandni Chowk</P><P>Translated by Daisy Barman</P><P> </P><P>Chapter 16: Days at Vrindavan</P><P>Translated by Daisy Barman</P><P> </P><P>Chapter 17: G.B. Road's Prohibited Neighbourhood</P><P>Translated by Stuti Goswami and Jahnu Bharadwaj</P><P> </P><P><B>SECTION III</B></P><P><B>Reading Indira Goswami: Literary Reception </B></P><P><B> </B></P><P>Chapter 18: Accounts of Inferno: A Reading of Indira Goswami's Select Novels</P><P>Hiren Gohain</P><P>Translated by Jyotirmoy Prodhani</P><P> </P><P>Chapter 19: Why is Indira Goswami Great?</P><P>Aruni Kashyap </P><P> </P><P>Chapter 20: The Notion of Love in Indira Goswami's Writings</P><P>Nandita Basu</P><P> </P><P><B>SECTION IV</B></P><P><B>Spaces to Inhabit: Private, Public and In-Between</B></P><P><B> </B></P><P>Chapter 21: Manavmurti: Amplitude and Entangled Spatio-Temporalities in "Jatra"</P><P>Amit R. Baishya</P><P> </P><P>Chapter 22: The Story of Rama in the Critical-Intellectual Imagination of Indira Goswami</P><P>Dhurjjati Sarma</P><P> </P><P>Chapter 23: Ramayana Revisited: A Reading of the Socio-cultural Life in Indira Goswami's <I>Ramayana from Ganga to Brahmaputra</I></P><P>Pritima Sharma</P><P> </P><P>Chapter 24: Perception of Places and Locations in Indira Goswami's Select Novels</P><P>Monbinder Kaur</P><P> </P><P>Chapter 25: Of Spaces and Margins: Reading Gender and Domesticity in Indira Goswami's <I>The Moth-eaten Howdah of the Tusker</I></P><P>Sanghamitra De</P><P> </P><P><B>SECTION V</B></P><P><B>Many Margins of Indira Goswami: Flesh, Blood, Spirit</B></P><P><B> </B></P><P>Chapter 26: The Divine and the Mundane: Ritual Sacrifice, Blood and the Feminine Principle in Indira Goswami's <I>Under the Shadow of Kamakhya</I> and <I>The Man from Chinnamasta</I></P><P>Vibha S. Chauhan</P><P> </P><P>Chapter 27: Alternative Masculinity in Indira Goswami's Fiction</P><P>Preetinicha Barman and Dwijen Sharma</P><P> </P><P>Chapter 28: Patriarchy and Resistance in Indira Goswami's Short Story "The Offspring"</P><P>Arup Sarma</P><P> </P><P>Chapter 29: Contesting Margins and Gendered Subalternity: Women in Indira Goswami and Mahashewta Devi's Short Stories</P><P>Nizara Hazarika</P><P> </P><P>Chapter 30: Trauma and Therapy: A Study of Depression Narratives in Indira Goswami's Autobiographical Writings</P><P>Sabreen Ahmed</P><P> </P><P>Chapter 31: Women and Film: A Critique of "Adajya"</P><P>Prasenjit Das</P><P> </P><P>Chapter 32: Blood that is Shed in Indira Goswami's Writings</P><P>Ratnottama Das</P><P> </P><P><B>SECTION VI</B></P><P><B>Indira Goswami in Conversation </B></P><P><B> </B></P><P>Chapter 33: The Journey of a Writer</P><P>An interview by Subhajit Bhadra </P><P> </P><P>Chapter 34: Stitching Peace Together</P><P>An interview by Sanjoy Hazarika and Geeti Sen</P><P> </P><P>Chapter 35: 'From the creative point of view, I differ completely from others'</P><P>Indira Goswami in conversation with Kushal Dutta</P><P>Translated by Sudipta Phukan </P><P> </P><P><B>SECTION VII</B></P><P><B>Writing as Translation: On Language and Craft</B></P><P><B> </B></P><P>Chapter 36: The Story behind My Writing</P><P>Indira Goswami</P><P> </P><P>Chapter 37: Translating an Axamiya Saga: Towards a New Translationese</P><P>Uddipana Goswami</P><P> </P><P>Chapter 38: Finding What May be Lost: Translating Indira Goswami</P><P>Dibyajyoti Sarma</P><P> </P><P>Chapter