Julien Duvivier
by McCann, Ben
Duvivier was a giant of classic French cinema with a career spanning key moments of French film history. This analysis goes beyond its historical range to engage with key debates in film studies: notably auteurism, stardom and questions of the national.
Read More ↓Title Statements
- Full title :Julien Duvivier / Ben McCann.
Summary
Duvivier was a giant of classic French cinema with a career spanning key moments of French film history. This analysis goes beyond its historical range to engage with key debates in film studies: notably auteurism, stardom and questions of the national.
Read More ↓Edition Statements
- Publication Date:2017
Publication Statements
- Publisher(s):Manchester University Press
- Place of Publication:Manchester
- Language:eng
- Publication Date:2017
The Physical Object
- Description:1 online resource (1 recurso electrónico.).
Edition Identifiers
- ISBN:9781526107619, 1526107619, 9781526124111, 1526124114
- oclc:on1127414396
- Dewey Decimal:791.4302/33092
Table of Contents
Cover; Half-title; Series Information; Title page; Copyright information; Dedication; Table of contents; List of Figures; Series editors' foreword; Acknowledgements; Introduction: we need to talk about Julien; References; 1 The 'impure' auteur; Beginnings; Restoring a reputation; Adaptateur or auteur?; Themes and patterns; Men's stories ... ; ... but not women's stories; 'Black realism'; The outsider coming in; The group; Style and technique; Setting; 'Colour'; Cinematography; Song and music; References; 2 Duvivier's silent films; From Haceldama to L'Homme à l'Hispano: a style is born.
Experimenting with form1929: towards a new aesthetic; Duvivier and religion; Conclusion; References; 3 Sound, image, Gabin: Duvivier and the 1930s; Experiments in sound; Interlude: (re-.)making Poil de carotte (1925, 1932); Five little pieces; Fixing a style: Duvivier, Gabin, and poetic realism; Un Carnet de bal (1937); Towards the 'end of the day'; Conclusion; References; 4 'Piloting with concentration': Julien goes to Hollywood; To America and back ... ; ... and back again; Lydia (1941); Tales of Manhattan (1942) and Flesh and Fantasy (1943); The Impostor (1944)
From Bosley to Bazin: the critica…
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