Making meaning in Indian cinema

Making meaning in Indian cinema

by Vasudevan, Ravi S.

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Title Statements

  • Full title :Making meaning in Indian cinema / ed. by Ravi S. Vasudevan

Edition Statements

  • Publication Date:2000

Publication Statements

The Physical Object

  • Description:x, 317 s

Edition Identifiers

  • ISBN:0195658671, 9780195658675
  • oclc:ocn474927483

Table of Contents

Af indholdet: S. 65-98: Parasakthi: life and times of a DMK film / M.S.S. Pandian. -- S. 99-144: The 1950s: melodrama and the paradigms of cinematic modernity. -- S. 122-144: The couple and their spaces: Harano sur as melodrama now / Moinak Biswas. -- S. 145-266: The politics of film form in the contemporary era. -- S. 191-214: Kaadalan and the politics of resignification / Vivek Dhareshwar & Tejaswini Niranjana.- S. 267-296: Viewership and democracy in the cinema / Ashish Rajadhyaksha.

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Subjects

Harano sur (II, Ajoy Kar, 1957) India Kaadalan (II, S. Shankar, 1994) Parasakthi (II, Krishnan-Panju, 1952)

Writers

Vasudevan, Ravi S.

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