Title Statements
- Full title :Man, myth, and sensual pleasures : Jan Gossart's Renaissance / edited by Maryan W. Ainsworth ; with contributions by Maryan W. Ainsworth [and others].
Summary
Jan Gossart (c.1472-1532) has long been recognised for his pivotal role in disseminating and transforming the art of antiquity and the Italian Renaissance style in the North. This catalogue raisonné of the Netherlandish painter, draftsman and printmaker is the first major publication on the artist in more than 40 years.
Read More ↓Edition Statements
- Publication Date:2010.
Publication Statements
- Publisher(s):Yale University Press
- Place of Publication:New Haven, Conn
- Language:eng
- Publication Date:2010.
The Physical Object
- Description:pages cm.
Edition Identifiers
- ISBN:9780300166576, 0300166575, 9781588393982, 1588393984
- oclc:ocn642284406
- Dewey Decimal:759.9493
Table of Contents
Introduction: Jan Gossart, the "Apelles of our age" / Maryan W. Ainsworth -- The painter Gossart in his artistic Milieu / Maryan W. Ainsworth -- Gossart as architect / Ethan Matt Kavaler -- Drawing for diplomacy: Gossart's sojourn in Rome / Stephanie Schrader -- Gossart's mythological nudes and the shaping of Philip of Burgundy's erotic identity / Stephanie Schrader -- Observations concerning Gossart's working methods / Maryan W. Ainsworth -- Gossart as a draftsman / Stijn Alsteens -- Gossart and printmaking / Nadine M. Orenstein -- Catalogue: Paintings: Adam and Eve ; Virgin and Child ; The passion of Christ ; Mythological themes ; Possible disguised portraits ; Portraits ; Paintings previously attributed to Gossart / Maryan W. Ainsworth with Lorne Campbell -- Drawings: Adam and Eve ; Virgin and Child ; The life of Christ ; Other religious subjects ; Secular subjects ; Studies related to antique art and architecture ; Ornament drawings ; Portrait ; Drawings attributed to followers of Gossart / Stijn Alsteens -- Prints: Prints by Gossart ; Prints after Gossart ; Sixteenth- and seventeenth-century prints ; Said to be after Gossart / Nadine M. Orenstein.
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