Title Statements
- Full title :Modernism and copyright / edited by Paul K. Saint-Amour.
Summary
How was modernism shaped, from its beginning, by intellectual property law? What role did the law's imperial and transatlantic asymmetries play in modernism's dissemination? How did various modernists exploit, reform, anoint, and evade copyright? And how is the study of modernism today being affected by expanding copyright regimes? Modernism and Copyright is the first book to take up these questions. A truly multi-disciplinary study, it brings together essays by scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates.
Read More ↓Edition Statements
- Publication Date:2010.
Publication Statements
- Publisher(s):Oxford University Press
- Place of Publication:Oxford [UK]
- Language:eng
- Publication Date:2010.
The Physical Object
- Description:1 online resource (xv, 381 pages).
Edition Identifiers
- oclc:on1037920013
- LC Classification:K1420.5
- Dewey Decimal:346.04/82
Table of Contents
Series Editors' Foreword; Acknowledgments; Introduction: Modernism and the Lives of Copyright; Part One: Portraits Of The Modernist As Copywright; Part Two: Melodic Properties Of The Culture System; Part Three: The Fall And Rise Of Remix Culture; Part Four: Regimes Of Attribution And Publicity; Part Five: Biography, Privacy, And Copyright; Part Six: Calving The Wind; Part Seven: Modernism After Modernism After Modernism; Appendix: Copyright Protection and Users' Rights: Frequently Asked Questions; Bibliography; Contributors; Index.
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