Title Statements
- Full title :Modernism and Opera
Summary
Cover -- Half-title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgments -- Introduction -- I: World War I and Before: Crises of Gender and Theatricality -- 1. Laughing at the Redeemer: Kundry and the Paradox of Parsifal -- 2. Maeterlinck, Debussy, and Modernism -- 3. Echoes of the Self: Cosmic Loneliness in Bartók's Duke Bluebeard's Castle -- II: Interwar Modernism: Movement and Countermovement -- 4. The Great War and Its Aftermath: Strauss and Hofmannsthal's "Third-Way Modernism"--5. Adorno's Shifting Wozzeck
6. Many Modernisms, Two Makropulos Cases: Čapek, Janáček, and the Shifting Avant-Gardes of Interwar Prague -- 7. Schoenberg, Modernism, and Degeneracy -- 8. Gertrude Stein, Minimalism, and Modern Opera -- III: Opera after World War II: Tensions of Institutional Modernism -- 9. Stravinsky, Auden, and the Midcentury Modernism of The Rake's Progress -- 10. Gloriana and the New Elizabethan Age -- 11. One Saint in Eight Tableaux: The Untimely Modernism of Olivier Messiaen's Saint François d'Assise -- 12. Saariaho's L'Amour de Loin: Modernist Opera in the Twenty-First Century -- Contributors -- Index
A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- X -- Y -- Z
Edition Statements
- Publication Date:2016
Publication Statements
- Publisher(s):Johns Hopkins University Press
- Place of Publication:Baltimore
- Language:eng
- Publication Date:2016
Notes
IMD-Felder maschinell generiert
The Physical Object
- Description:1 Online-Ressource (391 Seiten)
Edition Identifiers
- ISBN:9781421420622, 1421420627
- oclc:on1020671635
- LC Classification:ML1705
- Dewey Decimal:782.10904
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