Music and the Cognitive Sciences 1990

Music and the Cognitive Sciences 1990

by Deliège, Irène

Type Book
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This issue comprises the twenty-five papers presented at the Second Music and the Cognitive Sciences conference held at Cambridge University in 1990.

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Title Statements

  • Full title :Music and the Cognitive Sciences 1990.

Summary

This issue comprises the twenty-five papers presented at the Second Music and the Cognitive Sciences conference held at Cambridge University in 1990.

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Edition Statements

  • Publication Date:©2005
  • Edition:1st ed

Publication Statements

  • Publisher(s):Taylor and Francis
  • Place of Publication:Abingdon, Oxon
  • Language:eng
  • Publication Date:©2005

The Physical Object

  • Description:1 online resource (399 pages).

Edition Identifiers

  • ISBN:9780203393284, 0203393287
  • oclc:on1048383687
  • LC Classification:ML3830 ǂb I57 1993eb
  • Dewey Decimal:780.904

Table of Contents

Book Cover -- Title -- Copyright -- Contents -- Introduction: Cognitive Science and Music-An Overview -- Music in Culture -- An Interactive Experimental Method for the Determination of Musical Scales in Oral Cultures -- The Influence of the Taambura Drone on the Perception of Proximity Among Scale Types in North Indian Classical Music -- Constraints on Music Cognition-Psychoacoustical -- Identification and Blend of Timbres as a Basis for Orchestration -- What is the Octave of a Harmonically Rich Note? -- Brighness and Octave Position: Are Changes in Spectral Envelope and in Tone Height Perceptually Equivalent? -- Constraints on Music Cognition-Neural -- Split-Brain Studies of Music Perception and Cognition -- Music Structure in Cognition -- Is the Perception of Melody Governed by Motivic Arguments or by Generative Rules or by Both? -- Transformation, Migration and Restoration Shades of Illusion in te Perception of Music -- Associationism and Musical Soundtrack Phenomena -- Rhythm Perception: Interactions Between Time and Intensity -- Mechanisms of Cue Extraction in Memory for Musical Time -- Generativity, Mimesis and the Human Body in Music Performance -- Representation of Musical…

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