Title Statements
- Full title :Music Performance Issues
Summary
Frontcover -- Contents -- Abbreviations -- Preface -- 1 Dilettante and Amateur: Our Evolving Language -- 2 Bach's Lament about Leipzig's Professional Instrumentalists -- 3 Choral Singing Before the Era of Recordings -- 4 Why Most a cappella Music Could Not Have Been Sung Unaccompanied -- 5 Fasch and the Beginning of Modern Artistic Choral Singing -- 6 What Handel's Casting Reveals About Singers of the Time -- 7 Intonation Standards and Equal Temperament -- 8 Eighteenth-Century Stringed Keyboard Instruments from a Performance Perspective -- 9 The Tromba and Corno in Bach's Time -- 10 Maelzel's Role in Beethoven's Symphonic Metronome Marks -- 11 The French Time Devices Revisited -- 12 The Notable Significance of C and (in Bach's Era -- 13 Numbers and Tempo: 1630-1800 -- 14 Overdotting in Handel's Overtures Reconsidered -- 15 Notes inégales: A Definitive New Parameter -- 16 Distinguishing Between Artificial and Natural Vibrato in Premodern Music -- 17 A Solution for Simple (secco) Theater Recitative -- 18 How Composers Viewed Performers' Additions -- 19 The Varied Reprise in Eighteenth-Century Intrumental Music-A Reappraisal
Read More ↓Edition Statements
- Publication Date:2016
Publication Statements
- Publisher(s):Boydell & Brewer
- Place of Publication:Hillsdale
- Language:eng
- Publication Date:2016
The Physical Object
- Description:1 Online-Ressource (362 Seiten)
Edition Identifiers
- ISBN:9781576472644, 1576472647, 9781576472750, 1576472752
- oclc:on1021102277
- LC Classification:ML457.J47 2016
- Dewey Decimal:781.4309
Subjects
Writers
No reviews yet. Be the first to rate this work.
Files & Downloads
-
Music Performance Issues: 1600–1900 -- (.pdf)
PDF · 20.1 MB · updated
Rate & Review