Musical authorship from Schütz to Bach

Musical authorship from Schütz to Bach

by Rose, Stephen

Type Book
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What did the term 'author' denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which indivi…

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Title Statements

  • Full title :Musical authorship from Schütz to Bach / Stephen Rose.

Summary

What did the term 'author' denote for Lutheran musicians in the generations between Heinrich Schütz and Johann Sebastian Bach? As part of the Musical Performance and Reception series, this book examines attitudes to authorship as revealed in the production, performance and reception of music in seventeenth-century German lands. Analysing a wide array of archival, musical, philosophical and theological texts, this study illuminates notions of creativity in the period and the ways in which individuality was projected and detected in printed and manuscript music. Its investigation of musical ownership and regulation shows how composers appealed to princely authority to protect their publications, and how town councils sought to control the compositional efforts of their church musicians. Interpreting authorship as a dialogue between authority and individuality, this book uses an interdisciplinary approach to explore changing attitudes to the self in the era between Schütz and Bach. (Klappentext).

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Edition Statements

  • Publication Date:2019

Publication Statements

The Physical Object

  • Description:xvi, 243 Seiten : : Illustrationen, Notenbeispiele

Edition Identifiers

  • ISBN:9781108421072, 1108421075, 9781108431286, 1108431283
  • oclc:on1109299976
  • LC Classification:ML430
  • Dewey Decimal:781.30943/09032

Table of Contents

God, talent, craft : concepts of musical creativity -- Between imitatio and plagiarism -- Signs of individuality -- Rites of musical ownership -- The regulation of novelty -- Authorship and performance.

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