Perception, cognition, and aesthetics

Perception, cognition, and aesthetics

by Curado, Manuel Gouveia, Steven S. Shottenkirk, Dena

Type Book
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This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-tempor…

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Title Statements

  • Full title :Perception, cognition, and aesthetics / edited by Dena Shottenkirk, Manuel Curado, and Steven S. Gouveia.

Summary

This volume addresses key questions related to how content in thought is derived from perceptual experience. It includes chapters that focus on single issues on perception and cognition, as well as others that relate these issues to an important social construct that involves both perceptual experience and cognitive activities: aesthetics. While the volume includes many diverse views, several prominent themes unite the individual essays: a challenge to the notion of the discreet, and non-temporal, unit of perception, a challenge to the traditional divide between perception and cognition, and a challenge to the traditional divide between unconscious and conscious intentionality. Additionally, the chapters discuss the content of perceptual experience, the value of traditional notions of content, disjunctivism, adverbialism, and phenomenal experience. The final section of essays dealing with perception and cognition in aesthetics features work in experimental aesthetics and unique perspectives from artists and gallerists working outside of philosophy. Perception, Cognition and Aesthetics is a timely volume that offers a range of unique perspectives on debates in philosophy of mind surrounding perception and cognition. It will also appeal to scholars working in aesthetics and art theory who are interested in the ways these debates influence our understanding of art.

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Edition Statements

  • Publication Date:2019.
  • Edition:1 [edition]

Publication Statements

The Physical Object

  • Description:1 online resource.

Edition Identifiers

  • ISBN:9780429870279, 0429870272, 9780429870286, 0429870280, 9780429462658, 0429462654, 9780429870262, 0429870264
  • oclc:on1099992051
  • LC Classification:BH39
  • Dewey Decimal:111/.85

Table of Contents

Cover; Half Title; Series; Title; Copyright; Contents; Acknowledgments; Introduction; Section I Perception; 1 Disjunctivism and the Internal: A Problem for McDowell's Epistemological Disjunctivism?; 2 Xenophanes's Figs and Honey: An Essay about a Program of Philosophy of Perception; 3 A Neurophilosophical Approach to Perception; 4 Smelling Molecular Structure; 5 "Hierarchical Bokeh" Theory of Attention; 6 Perceiving Live Improvisation in the Performing Arts; Section II Cognition; 7 Consciousness and Content in Perception; 8 Perceptual Capacities; 9 Thinking Differently About Thought

10 Immediate and Reflective Senses11 The Unity of Unconsciousness; 12 Phenomenal Experience and the Thesis of Revelation; Section III Perception and Cognition in Aesthetics; 13 Would You Buy Absence Art?; 14 Penetrating Beauty: Knowledge, Culture and Context in Aesthetic Perception; 15 Gist Experience; 16 How Do I Know When I Am Dancing?; 17a Interview with James Cohan; 17b Interview with Leonel Moura; Notes on Contributors; Index

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