Phenomenal presence

Phenomenal presence

by Dorsch, Fabian Macpherson, Fiona

Type Book
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What kinds of features of the world figure consciously in our perceptual experience? Colours and shapes are uncontroversial; but what about volumes, natural kinds, reasons for belief, existences, relations? Eleven new essays investigate different kinds of phenomenal presence.

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Title Statements

  • Full title :Phenomenal presence / edited by Fabian Dorsch and Fiona Macpherson.

Summary

What kinds of features of the world figure consciously in our perceptual experience? Colours and shapes are uncontroversial; but what about volumes, natural kinds, reasons for belief, existences, relations? Eleven new essays investigate different kinds of phenomenal presence.

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Edition Statements

  • Publication Date:2018.

Publication Statements

Notes

3.1 The objects of perception

The Physical Object

  • Description:1 online resource

Edition Identifiers

  • ISBN:9780191644450, 0191644455, 9780191858284, 0191858285
  • oclc:on1038480660
  • LC Classification:B829.5
  • Dewey Decimal:110

Table of Contents

Cover; Phenomenal Presence; Copyright; Contents; Preface and Acknowledgements; List of Contributors; 1: Phenomenal Presence: An Introduction to the Debate; 1. The Main Distinctions; 1.1 Object- versus experience-directed presence; 1.2 Sensory versus non-sensory presence; 1.3 Being in view versus being out of sight; 1.4 Qualitative versus categorical features; 1.5 The structure of the volume; 2. The Relation to Other Debates; 2.1 Intrinsic aspects of experience; 2.2 Cognitive phenomenology; 2.3 Higher-level perception; 3. Perceptual Constancy and Variation; 3.1 Allen; 3.2 O'Dea

3.3 Nida-Rümelin4. The Determinacy and Ubiquity of Spatial Awareness; 4.1 Stazicker; 4.2 French; 5. Hidden and Occluded Things; 5.1 Kind; 5.2 Dokic; 6. Categorical Aspects of Perceptual Experience; 6.1 Dorsch; 6.2 Brown; 6.3 Crowther; References; PART I: Perceptual Constancy and Variation; 2: Perceptual Constancy and Apparent Properties; 1.; 2.; 3.; 4.; References; 3: Art and Ambiguity: A Gestalt-Shift Approach to Elusive Appearances; 1.; 2.; 3.; 4.; 5.; 6.; References; 4: Colours and Shapes; 1. Introduction; 2. Presented Properties and Apparent Properties

3. Phenomenal Character, Presented Properties, and…

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