Title Statements
- Full title :Producing Music.
Edition Statements
- Publication Date:©2018
Publication Statements
- Publisher(s):Routledge
- Place of Publication:Milton
- Language:eng
- Publication Date:©2018
The Physical Object
- Description:1 online resource (357 pages)
Edition Identifiers
- ISBN:9781351815109, 1351815105
- oclc:on1100982723
- LC Classification:ML3790
- Dewey Decimal:781.49
Table of Contents
Cover -- Half Title -- Series -- Title -- Copyright -- Contents -- Contributor Biographies -- 1 Introduction -- Part One Music Production and Genre -- 2 Socio-Technical Networks and Music Production Competencies: Towards an Actor Network Theory of Hip Hop Beat-Making -- 3 Boom Bap Ex Machina: Hip-Hop Aesthetics and the Akai MPC -- 4 The DAW, Electronic Music Aesthetics, and Genre Transgression in Music Production: The Case of Heavy Metal Music -- 5 Antonio Carlos Jobim: The Author as Producer -- 6 Compost Listening: Vaporwave and the Dissection of Record Production -- 7 Classical Production: Situating Historically Informed Performances in Small Rooms -- Part Two Music Production and Technology -- 8 The Politics of Digitizing Analogue Recording Technologies -- 9 Producing Music for Immersive Audio Experiences -- 10 Producing 3-D Audio -- 11 Popular Music Production in Laptop Studios: Creative Workflows as Problem-Solving Within Ableton Live -- 12 Real-Time, Remote, Interactive Recording Sessions: Music Production Without Boundaries -- 13 Tracking With Processing and Coloring as You Go -- Part Three Concepts of Production -- 14 Working With Sound in the DAW: Towards a New Materialit…
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