Title Statements
- Full title :Rethinking Jewishness in Weimar cinema / edited by Barbara Hales and Valerie Weinstein.
Summary
"The burgeoning film industry in the Weimar Republic was, among other things, a major site of German-Jewish experience, one that provided a sphere for Jewish "outsiders" to shape mainstream culture. The chapters collected in this volume deploy new historical, theoretical, and methodological approaches to understanding the significant involvement of German Jews in Weimar cinema. Reflecting upon different conceptions of Jewishness - as religion, ethnicity, social role, cultural code, or text - these studies offer a wide-ranging exploration of an often overlooked aspect of German film history"--
Read More ↓Edition Statements
- Publication Date:2021.
Publication Statements
- Publisher(s):Berghahn Books
- Place of Publication:New York
- Language:eng
- Publication Date:2021.
The Physical Object
- Description:1 online resource#x1E.
Edition Identifiers
- ISBN:9781789208726, 1789208726, 9781789208733, 1789208734
- oclc:on1203133060
- LC Classification:PN1993.5.G3
- Dewey Decimal:791.430943/09042
Table of Contents
Intro -- Contents -- Figures -- Acknowledgments -- Introduction -- The Jewishness of Weimar Cinema -- Part I -- Jewish Visibility On and Off Screen -- Chapter 1 -- Humanizing Shylock: The "Jewish Type" in Weimar Film -- Chapter 2 -- Energizing the Dramaturgy: How Jewishness Shaped Alexander Granach's Performances in Weimar Cinema -- Chapter 3 -- The Jewish Vamp of Berlin: Actress Maria Orska, Typecasting, and Jewish Women -- Chapter 4 -- Jewish Comedians beyond Lubitsch: Siegfried Arno in Film and Cabaret
Chapter 5 -- Alfred Rosenthal's Rhetoric of Collaboration, the Politics of Jewish Visbility, and Jewish Weimar Film Print Culture -- Part II -- Coding and Decoding Jewish Difference -- Chapter 6 -- Two Worlds, Three Friends, and the Mysterious Seven-Branched Candelabrum: Jewish Filmmaking in Weimar Germany -- Chapter 7 -- Homosexual Emancipation, Queer Masculinity, and Jewish Difference in Anders al die Andern (1919) -- Chapter 8 -- Der Film ohne -- Chapter 9 -- "The World Is Funny, Like a Dream": Franziska Gaal's Verwechslungskomödien and Exile's Crisis of Identity
Part III -- Jewishness as Antisemitic Construct -- Chapter 10 -- Cinematically Transmitted Disease: Weimar's Perp…
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