Script supervising and film continuity

Script supervising and film continuity

by Miller, Pat P.

Type Book
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This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent. The book teaches all vital script supervising functions, including how to: prepare, or "break down" a script for shooting, maintaining screen direction and progression, matching scenes and shots for editing, cuing actors, recording good tak…

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Title Statements

  • Full title :Script supervising and film continuity / Pat P. Miller.

Summary

This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent. The book teaches all vital script supervising functions, including how to: prepare, or "break down" a script for shooting, maintaining screen direction and progression, matching scenes and shots for editing, cuing actors, recording good takes and prints, preparing time and log sheets for editing.

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Edition Statements

  • Publication Date:©1999.
  • Edition:3rd ed

Publication Statements

  • Publisher(s):Focal Press
  • Place of Publication:Boston
  • Language:eng
  • Publication Date:©1999.

Notes

"The Continuity supervisor's bible"--Cover.

Includes index.

The Physical Object

  • Description:1 online resource (xix, 236 pages) : : illustrations

Edition Identifiers

  • ISBN:9780080516769, 0080516769
  • oclc:on1089478416
  • LC Classification:TR850
  • Dewey Decimal:791.43/0233

Table of Contents

Getting into the act -- Dealing with the script -- Prior to principal photography -- A day on a movie set -- Camera rehearsals -- The slating syndrome -- Getting the scene on film -- Timing is of the essence -- "That's a wrap!" -- Continuity script to the editor -- Dynamics of the camera -- The concept of coverage -- The mastery of matching -- Second unit filming -- Filming for television -- Film language.

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Subjects

Writers

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