Script supervising and film continuity

Script supervising and film continuity

by Miller, Pat P.

Type Book
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This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent. The book teaches all vital script supervising functions, including how to: .prepare, or "break down" a script for shooting .maintaining screen direction and progression .matching scenes and shots for editing .cuing actors .recording good ta…

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Title Statements

  • Full title :Script supervising and film continuity / Pat P. Miller.

Summary

This definitive handbook explains how a script is transformed into a motion picture or television program. Readers will learn the methodology and craft of the script supervisor, who ensures that the continuity of a film, its logical progression, is coherent. The book teaches all vital script supervising functions, including how to: .prepare, or "break down" a script for shooting .maintaining screen direction and progression .matching scenes and shots for editing .cuing actors .recording good takes and prints preparing time and log sheets for editing This revision of an industry classic has been updated to reflect changes in the film industry in recent years, including the use of electronic media in the script supervisor's tasks. While it is written for the novice script writer, it can serve as a valuable resource for directors, film editors, scriptwriters and cinematographers.

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Edition Statements

  • Publication Date:2013.
  • Edition:3rd ed

Publication Statements

  • Publisher(s):Focal Press
  • Place of Publication:New York
  • Language:eng
  • Publication Date:2013.

Notes

Na ovoju: The continuity supervisor's bible.

The Physical Object

  • Description:XIX, 236 str. : : ilustr. ; : 24 cm.

Edition Identifiers

  • ISBN:9780240802947, 0240802942
  • oclc:on1356351348

Table of Contents

Getting into the act -- Dealing with the script -- Prior to principal photography -- A day on a movie set -- Camera rehearsals -- The slating syndrome -- Getting the scene on film -- Timing is of the essence -- "That's a wrap!" -- Continuity script to the editor -- Dynamic of the camera -- The concept of coverage -- The mastery of matching -- Second unit filming -- Filming for television -- Film language.

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Subjects

Writers

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