Studies in symbolic interaction

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Emphasizes developments in interactionist theory and practice, as well as examples of post-modern ethnography and performance texts focused on border crossings and performances. This book includes essays honoring Carolyn Ellis's contributions to 'Symbolic Interaction and Communications', and the annual address in the ""Peter M Hall Lecture"" series.

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Title Statements

Full title :Studies in symbolic interaction. / edited by Norman K. Denzin.

Summary

Edition Statements

Publication Date:2005.

Publication Statements

Publisher(s):JAI Press Inc
Place of Publication:Greenwich, CT
Language:eng
Publication Date:2005.

Notes

Description based upon print version of record.

The Physical Object

Description:1 online resource (433 p.).

Edition Identifiers

ISBN:1280631678, 9781280631672, 9786610631674, 6610631670, 0080459412, 9780080459417
oclc:on1162554728
LC Classification:HM499
Dewey Decimal:302

SKETCHING CAROLYN ELLIS, THE PURPLE DIVA OF AUTOETHNOGRAPHY; STORYING THE POSSIBLE: THE LIFE WRITING AND WRITING LIFE OF CAROLYN ELLIS; FROM LINGUA FRANCA TO SCRIPTIO ANIMI: CAROLYN ELLISS WRITING OF THE HEART; TRACING TOUCH; TOUCHING BACK/RECEIVING GIFTS; TAKING NOTES: LESSONS ON ETHNOGRAPHY AND LIFE FROM CAROLYN ELLIS; DEMOCRACY IS A GIFT; SURVIVING AUTOETHNOGRAPHY; SYMBOLIC INTERACTION, SOCIOLOGY AND CHANGING SOCIETY: CRITICAL ISSUES AND NEW DIRECTIONS: INTRODUCTION; IDENTITY STAKES, MANHOOD ACTS, AND THE DYNAMICS OF ACCOUNTABILITY; BACKWARDS TRAVELER(S): RE/WRITING POST-9/11 AMERICA

SACRED AND PROFANE: SIX FEET UNDER: A SOCIOLOGICAL PERFORMANCELESSONS FROM JASPER: HOW A WHITE FATHERS UNIMAGINABLE IMAGINARY CONVERSATIONS WITH HIS BLACK DAUGHTER SHINE A LIGHT ON WHITENESS; CARNAVAL, CUMBIA AND QUEENS: REPRESENTATIONS OF BLACKNESS; WORDS; THE NOVEL: DISCLOSING THE SELF IN A CREATIVE SOCIAL ACT; FANNY MAY, THE GRAY HORSE, AND REMEMBRANCE OF MAS DEATH; THE STRANGENESS OF BEING; CAFFEINE, CARNIVAL AND THE EMERGENCE OF EIGHTEENTH-CENTURY NERVOUS DIS-EASE; THE POSTMODERN TURN IN INTERACTIONISM

WHO ARE YOU: PETE TOWNSHEND, ""GOING SOLO,"" AND THE POSTMODERN SEARCH FOR SELF IN ROCK MU…