Style and epoch

by Ginzburg, M. I︠A︡., (Moiseĭ I︠A︡kovlevich)

Type Book
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Style and Epoch' by Moisei Ginzburg, first published in 1924, was the architect's key work; it became the philosophical basis for the Constructivist group of architects. Ginzburg defined the new style in architecture that signified a break from traditional styles. After two industrial revolutions, architects were faced with new challenges by society. The response was an innovative approach to architecture that put people - their needs and functions - at its center. The author's understanding of…

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Title Statements

  • Full title :Style and epoch / Moisei Ginzburg ; introduction and translation by Anatole Senkevitch, Jr. ; foreword by Kenneth Frampton.

Summary

Style and Epoch' by Moisei Ginzburg, first published in 1924, was the architect's key work; it became the philosophical basis for the Constructivist group of architects. Ginzburg defined the new style in architecture that signified a break from traditional styles. After two industrial revolutions, architects were faced with new challenges by society. The response was an innovative approach to architecture that put people - their needs and functions - at its center. The author's understanding of global economic and cultural processes is evident in his description of the development of a style that came to define the nature of architecture in the twentieth century, which today we call modernism. The significance of this book in terms of an understanding of culture, the avant-garde and the subsequent development of modernist architecture is hard to overestimate.

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Edition Statements

  • Publication Date:1982.

Publication Statements

Notes

Translation of: Stilʹ i ėpokha.

The Physical Object

  • Description:1 online resource (159 pages) : : illustrations

Edition Identifiers

  • oclc:ocn557969980
  • LC Classification:NA2543.H55
  • Dewey Decimal:720.1

Table of Contents

Foreword / Kenneth Frampton -- Introduction / Anatole Senkevitch, Jr. -- Preface -- 1. Style. Elements of Architectural style. Continuity and independence in the change of styles -- 2. The Greco-Italic "classical" system of thought and its modern legacy -- 3. The prerequisites of the new style -- 4. The machine. The influence on modern art of the static and dynamic properties of the machine -- 5. Construction and form in architecture. Constructivism -- 6. Industrial and engineering organisms -- 7. The characteristic aspects of the new style -- Illustrations. Reflections of the new style in the works of modern Russian architects.

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