Surface architecture

"Visually, many contemporary buildings either reflect their systems of production or recollect earlier styles and motifs. This division between production and representation is in some ways an extension of that between modernity and tradition. In this book David Leatherbarrow and Mohsen Mostafavi explore ways design can take advantage of production methods so that architecture neither ignores nor is dominated by technology." "Leatherbarrow and Mostafavi begin with the theoretical and practical isolation of the building surface as the subject of architectural design. The autonomy of the surface, the modernist "free facade," presumed a distinction between the structural and nonstructural elements of the building, between the frame and the cladding. Once the skin of the building became independent of its structure, it could just as well hang like a curtain, or like clothing. But the properties of a building's surface - whether made of concrete, metal, glass, or other materials - are not merely superficial; they construct the spatial effects by which architecture communicates. Through its surfaces a building declares both its autonomy and its participation in its surroundings." "The focus of the relationship between structure and skin is the architectural surface. In tracing the handling of this surface, the authors examine both contemporary buildings and those of the recent past. Architects discussed include Albert Kahn, Ludwig Mies van der Rohe, Alison and Peter Smithson, Alejandro de la Sota, Robert Venturi, and Jacques Herzog and Pierre de Meuron."--BOOK JACKET.

Originally published: 2002.

Introduction: Why surface architecture? -- Framing containment : Framing the face ; Monumental volumes ; Representation and production ; Minimal surfaces ; The factory ; Total containment ; Chicago frames -- Window/wall : De-vignolization ; Viewing the landscape ; Opacity and transparency ; The oblique ; The painted view ; The depth of the window wall ; Taking stock ; Border adjustments ; Vertical and horizontal ; Misalignments ; Cladding as clothing ; Windows and/as walls -- The appearance of covering : Atectonic fabrications: Sliding surfaces ; Masking and revealing ; Symbolic surfaces ; The impressed facade: tattoo ; Surface appliqué ; Impressions ; Planarity and surface impressions ; Aesthetics in an industrial age ; Ideality of the constructed fact ; Architecture for industry ; Factory-made -- Adjusting standards : The light of industry ; Modern appearances and practicality ; Prefabrication and personality ; Architecture en série ; Fabrication processes ; "For many years I wore the leather apron" -- Premade, remade : Open and closed systems of construction ; Brutal facts of building ; Facts of building and of life ; Invention and limited means ; Chance construction ; As found…