The ethics of literary communication

The ethics of literary communication: genuineness, directness, indirectness

by Borch, Adam Lindgren, Inna Sell, Roger D.

Type Book
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Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonomy? If and when the answer here is "Yes!", Sell's team describe the communication that is going on as 'genuine'. In this latest book, they offer new illustrations of what they mean by this, and ask whether…

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Title Statements

  • Full title :The ethics of literary communication : genuineness, directness, indirectness / edited by Roger D. Sell, Adam Borch, Inna Lindgren, Åbo Akademi University.

Summary

Viewing literature as one among other forms of communication, Roger D. Sell and his colleagues evaluate writer-respondent relationships according to the same ethical criterion as applies for dialogue of any other kind. In a nutshell: Are writers and readers respecting each other's human autonomy? If and when the answer here is "Yes!", Sell's team describe the communication that is going on as 'genuine'. In this latest book, they offer new illustrations of what they mean by this, and ask whether genuineness is compatible withcommunicational directness and communicational indirectness. Is there.

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Edition Statements

  • Publication Date:2013

Publication Statements

Notes

Titre de l'écran-titre (visionné le 14 déc. 2015).

TRAITEMENT SOMMAIRE.

The Physical Object

  • Description:1 ressource en ligne (283 p.).

Edition Identifiers

  • ISBN:9789027271686, 9027271682
  • oclc:ocn933278633
  • LC Classification:P302.5
  • Dewey Decimal:808.001/4

Table of Contents

The Ethics of Literary Communication; Editorial page ; Title page ; LCC data ; Dedication page ; Table of contents; Acknowledgements; Contributors; 1. Introduction; 1. Interdisciplinary aims; 2. Literature and communicational ethics; 3. Main findings; 4. In conclusion; References; 2. Herbert's considerateness: A communicational assessment; References; 3. "Not my readers but the readers of their own selves": Literature as communication with the self i; 1. The Narrator's stated aim; 2. 'Literature', 'self', 'message'; 3. "Itseemed to me that I myself was what the book was talking about."

3. From Socrates to AristotleReferences; 9. Hypothetical action: Poetry under erasure in Blake, Dickinson and Eliot; 1. Introduction; 2. Blake's "The Tyger": The act of creation questioned; 3. Meeting apart in Emily Dickinson's "I cannot live with You"; 4. Prufrock's imaginary walk: Recurrent and local techniques; 5. Conclusion; References; Appendix 1; Appendix 2; 10. Metacommunication as ritual: Contemporary Romanian poetry; 1. Introduction; 2. A framework for poetic (meta)communication; 3. Communicational pathology andcultural resistance; 4. Literary resistance.

5. Patterns of response to totali…

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