Visual difference: postcolonial studies and intercultural cinema

by Heffelfinger, Elizabeth

Type Book

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Title Statements

Full title :Visual difference : postcolonial studies and intercultural cinema / Elizabeth Heffelfinger, Laura Wright.

Summary

To date, no text exists that focuses exclusively on the concept of postcolonial film as a framework for identifying films produced within and outside of various formerly colonized nations, nor is there a scholarly text that addresses pedagogical issues about and frameworks for teaching such films. This book borrows from and respects various forms of categorization - intercultural, global, third, and accented - while simultaneously seeking to make manifest an alternate space of signification. What feels like a mainstream approach is pedagogically necessary in terms of access, both financial and physical, to the films discussed herein, given that this text proposes models for teaching these works at the university and secondary levels. The focus of this work is therefore twofold: to provide the methodology to read and teach postcolonial film, and also to provide analyses in which scholars and teachers can explore the ways that the films examined herein work to further and complicate our understanding of ±postcolonial? as a fraught and evolving theoretical stance.

Intercultural cinema has entered the mainstream, and we can neither celebrate it as resistant nor dismiss it as complicit. If a movie you see at the cineplex is an international co-production, its director is a Western person of color, and part of its proceeds go toward charity, does that make it a 'good' movie? Through impressive case studies and close viewings, Heffelfinger and Wright show that intercultural cinema's power relations take place not only within the films but also in the complex materiality of production, reception, and cultural impact.? (Laura Marks, Associate Professor and Dena Wosk University Professor in Art and Culture Studies, School for the Contemporary Arts, Simon Fraser University).

Edition Statements

Publication Date:2011.
Edition:1st, New ed

Publication Statements

Publisher(s):Peter Lang Inc., International Academic Publishers
Place of Publication:New York
Language:eng
Publication Date:2011.

The Physical Object

Description:1 online resource (216 pages).

Edition Identifiers

ISBN:9781453900550, 1453900551
oclc:on1046095355

Introduction : situating intercultural film -- "This is Africa," or how Leonardo DiCaprio imagines Sierra Leone -- Witness the gangster in the interregnum : adapting Fugard's Tsotsi -- Reclaiming the Maoriland romance : inventing tradition in Once were warriors and Whale rider -- The new voy(age)eur : white women, black bodies, and the spectacle of sexual abandon -- NRI : the transnational class and transnational class in the films of Mira Nair -- Conclusion.

Subjects