Visualizing War: Emotions, Technologies, Communities
Visualizing War- Front Cover -- Visualizing War -- Title Page -- Copyright Page -- Contents -- List of Figures -- Preface -- Notes -- Introduction -- Equivocal Emotions -- Emotions and Affects -- Emotional Technologies -- Emotional Communities -- Notes -- Bibliography -- PART I: Equivocal Emotions -- Chapter 1: Cropped Vision: Photography and Complicity in Women's World War II Memoirs -- Introduction -- The Civil Gaze -- Erika Summ -- Inge Ochsenknecht -- Conclusion -- Notes -- Bibliography -- …
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- Full title :Visualizing War : Emotions, Technologies, Communities
Summary
Visualizing War- Front Cover -- Visualizing War -- Title Page -- Copyright Page -- Contents -- List of Figures -- Preface -- Notes -- Introduction -- Equivocal Emotions -- Emotions and Affects -- Emotional Technologies -- Emotional Communities -- Notes -- Bibliography -- PART I: Equivocal Emotions -- Chapter 1: Cropped Vision: Photography and Complicity in Women's World War II Memoirs -- Introduction -- The Civil Gaze -- Erika Summ -- Inge Ochsenknecht -- Conclusion -- Notes -- Bibliography -- Chapter 2: Horsemeat with Cucumber Salad: Laughing at the Images of War in Alexander Kluge's Films -- Alexander Kluge's Images of War -- The Aesthetics of the Fake Interviews -- Laughing at the Image of War -- The Horse in the Image of War -- Notes -- Bibliography -- Chapter 3: Max Beckmann's Revenants and Ernst Jünger's Drones: Vision and Coolness in the Interwar Period -- Introduction -- War Trauma and Giving Birth: Max Beckmann -- Beckmann's Revenants -- Jünger's Vision of Optical Distancing and Emotional Detachment or Coolness -- Jünger's Drones -- Conclusion -- Notes -- Bibliography -- PART II: Emotional Technologies -- Chapter 4: Flat Emotions: Maps and Wargames as Emotional Technologies -- Introduction -- The Metapicture of Military Maps -- Emotional Technologies -- The Vehicle of Learning -- Training Emotions -- Digital Emotions -- Notes -- Bibliography -- Chapter 5: The Paradox of Total Immersion: Watching War in Nineteenth-Century Panoramas -- Introduction -- The Panorama as Mass Medium of the Nineteenth Century -- Total Immersion: Panorama as Presence -- The Panorama: Training for Future Wars -- Panorama: Pre-Modern Vision of History? -- Panorama as Paradox -- Notes -- Bibliography -- Chapter 6: Post-Traumatic Stress Disorder in Drone Operators: Relying on Uncertainty in Omer Fast's 5,000 Feet is the Best (2011)
The Psychic Effects of Waging War on Screen -- Visual Proximity and Physical Distance -- Unsettling Certainty in Fast's Semi-Documentary -- Displacement and Identification -- Notes -- Bibliography -- Chapter 7: Towards a Poor Cinema: The Performativity of Mobile Cameras in New Image Wars -- Introduction -- Iconic versus Imperfect Images of War -- Images as Events -- Image Wars -- Camera and Performativity -- New Videograms for a Revolution: The Uprising -- Singing for the Revolution: Return to Homs -- Poetic Confrontation: Silvered Water -- Poor Cinema's Uncertain Futures -- Notes -- Bibliography -- PART III: Building Emotional Communities -- Chapter 8: Visualizing Community: A Look at World War II Propaganda Films -- Media Emotions -- The War Film Genre -- Sense of Community -- Believing in the World -- Riefenstahl: Media Technology as Fusion -- Capra: "What Put Us in the Uniform?"--Conclusion -- Notes -- Bibliography -- Chapter 9: From Warrior Heroes to Vulnerable Boys: Debunking "Soldierly Masculinity" in Tim Hetherington's Infidel Photos -- Visualizing Brotherhood -- Conclusion -- Notes -- Bibliography -- Chapter 10: Visualizing War in the Museum: Experiential Spaces, Emotions, and Memory Politics -- Visualizing War in the Museum -- Reconstructive Authenticity -- Multimedia Visualization and Political Master Narrative -- Synthesized Multiple Voices and Multimedia Visualization -- The Spatial-Geological Visualization of War and Humanity -- The Visualization of War Crimes via Photography -- Conclusion -- Notes -- Bibliography -- Chapter 11: War in the Age of Anti-Social Media -- The Napoleonic Legacy -- The Contemporary Mediascape -- Meet the New Spectacle, Same as the Old Spectacle -- The Art of the Mediascape -- Notes -- Bibliography -- List of Contributors -- Index
Edition Statements
- Publication Date:2017
- Edition:1st ed
Publication Statements
- Publisher(s):Taylor and Francis
- Place of Publication:Florence
- Language:eng
- Publication Date:2017
The Physical Object
- Description:1 Online-Ressource (231 Seiten)
Edition Identifiers
- ISBN:9781315530635, 1315530635, 9781138693432, 113869343X
- oclc:on1021211229
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