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by Molnar, Spencer S.

Type Thesis
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This supportive statement examines a philosophical conception of the self and how it can be identified through experience, consciousness, and perception by focusing on a human inclination to rationalize, or concretize, that which is everchanging. The methods of exploring this concept were achieved by examining the formal structure of composition and materials through the process of visual art. By pushing against historical traditions of creating spatial illusions in visual art, we can conclude …

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Summary

This supportive statement examines a philosophical conception of the self and how it can be identified through experience, consciousness, and perception by focusing on a human inclination to rationalize, or concretize, that which is everchanging. The methods of exploring this concept were achieved by examining the formal structure of composition and materials through the process of visual art. By pushing against historical traditions of creating spatial illusions in visual art, we can conclude that the legibility of an artwork is equally dependent on the experiential world as it is the social construction of image making. The question that is left unanswered through this examination is whether perceiving a self as an object instead of a process is a result of rationality or compulsion.

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Edition Statements

  • Publication Date:2021

Thesis Information

  • Degree:M.F.A.
  • University:Illinois State University
  • Advisor/Supervisor:Oresky, Melissa
  • Pages:35

Publication Statements

  • Language:eng
  • Publication Date:2021

Edition Identifiers

  • proquest:2556413383

Subjects

aggregate Anatta Ātman eng Fine Arts Hinduism Painting paints PDF Philosophy Psychology rationality

Writers

Molnar, Spencer S. Oresky, Melissa

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