The woman lying unconscious on the Irish shore near Ballykirk can't possibly be a mermaid, can she? Still, architect Kellan Quinn wastes no time saving her life. And soon she's recovering in his home--setting his fantasies ablaze in his bed! But heiress Gelsey Woods is no mermai…
AThe woman lying unconscious on the Irish shore near Ballykirk can't possibly be a mermaidcan she? Still, architect Kellan Quinn wastes no time saving her life. And soon she's recovering in his home--setting his fantasies ablaze in his bed! But heiress Gelsey Woods is no mermaid…
Simon, a middle-aged architect separated from his wife, is given the chance to live out a stereotypical male fantasy: freed from the travails of married life, he ends up living with three nubile lingerie models who use him as a sexual object. Set in the 1980s, there's further te…
Regulations and associated governance practices, relating to the design of the built environment are an integral part of the design process and warrant serious attention by scholars of urban design. The regulations that condition the building process are neither ephemeral nor in…
"Written by a former Soviet architect who emigrated to the U.S. in 1977, this memoir introduces readers to the "Communist Experiment" by showing it through the eyes of one of its millions of subjects. The author shows the human cost of living under a totalitarian regime and brin…
"Written by a former Soviet architect who emigrated to the U.S. in 1977, this memoir introduces readers to the "Communist Experiment" by showing it through the eyes of one of its millions of subjects. The author shows the human cost of living under a totalitarian regime and brin…
During the second half of the eighteenth century British architecture moved away from the dominant school of Classicism in favour of a more creative freedom of expression. At the forefront of this change were architect brothers Robert and James Adam. Without rejecting establishe…
During the second half of the eighteenth century British architecture moved away from the dominant school of Classicism in favour of a more creative freedom of expression. At the forefront of this change were architect brothers Robert and James Adam. Without rejecting establishe…
During the second half of the eighteenth century British architecture moved away from the dominant school of Classicism in favour of a more creative freedom of expression. At the forefront of this change were architect brothers Robert and James Adam. Without rejecting establishe…
