This book of interviews conducted by Jussawalla and Dasenbrock is the first to feature third-world authors discussing their works and their careers. These are joined by three Chicano writers from the U.S. All fourteen included here write in English, a language they have chosen f…
This book of interviews conducted by Jussawalla and Dasenbrock is the first to feature third-world authors discussing their works and their careers. These are joined by three Chicano writers from the U.S. All fourteen included here write in English, a language they have chosen f…
"In recent years, the idea of world literature has become nearly hegemonic in the so-called First World or Global North. It now underlies a range of literary practices including literature festivals, prizes, and competitions, reviewing, editing and publishing, academic research …
"In recent years, the idea of world literature has become nearly hegemonic in the so-called First World or Global North. It now underlies a range of literary practices including literature festivals, prizes, and competitions, reviewing, editing and publishing, academic research …
In recent years, the idea of world literature has become nearly hegemonic in the so-called First World or Global North. It now underlies a range of literary practices including literature festivals, prizes, and competitions, reviewing, editing and publishing, academic research a…
"In recent years, the idea of world literature has become nearly hegemonic in the so-called First World or Global North. It now underlies a range of literary practices including literature festivals, prizes, and competitions, reviewing, editing and publishing, academic research …
The idea of world literature has garnered much attention recently as a discipline that promises to move humanistic study beyond postcolonial theory and antiquated paradigms of "national" literary traditions. In Forget English! Aamir Mufti scrutinizes the claims made on behalf of…
"In recent years, the idea of world literature has become nearly hegemonic in the so-called First World or Global North. It now underlies a range of literary practices including literature festivals, prizes, and competitions, reviewing, editing and publishing, academic research …