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In this book, the founder of object-oriented ontology develops his view that aesthetics is the central discipline of philosophy. Whereas science must attempt to grasp an object in terms of its observable qualities, philosophy and art cannot proceed in this way because they don't…

11 original essays discuss a range of puzzling philosophical questions about characters in fiction and other fictional objects. For example: Do they really exist? Are they created? Can they be destroyed? Are they abstract or concrete? What are their identity conditions? What kin…