Over the course of the past decades, photography has become one of the most popular fields of art. This development is also reflected in recent prices for some works of contemporary photography, which fetch up to several million dollars. Such price levels would be unheard of if …
Over the course of the past decades, photography has become one of the most popular fields of art. This development is also reflected in recent prices for some works of contemporary photography, which fetch up to several million dollars. Such price levels would be unheard of if …
Shanzhai: deconstruction in Chinese = Shan zhai
Shanzhai is a Chinese neologism that means "fake," originally coined to describe knock-off cell phones marketed under such names as Nokir and Samsing. These cell phones were not crude forgeries but multifunctional, stylish, and as good as or better than the originals. Shanzhai h…
Review text: "Le solide premesse teoriche esplicitate dai curatori fanno sì che il volume, nel suo complesso, sia ricco di interventi anche molto vari, ma sempre coerenti, pertinenti e stimolanti."Claudio Franzoni in: BMCR 2011.05.27.
Credulity -- Reference by artifact -- Germany and "Renaissance"--Forgery -- Replica -- Fiction -- Re-enactment.
Faking, Forging, Counterfeiting
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practice…
Faking, Forging, Counterfeiting
Forgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus n…
Forgeries are an omnipresent part of our culture and closely related to traditional ideas of authenticity, legality, authorship, creativity, and innovation. Based on the concept of mimesis, this volume illustrates how forgeries must be understood as autonomous aesthetic practice…