Are the performing arts really supposed to be so radical that, as John Cage once said in the context of music, ""there is no noise, only sound, "" since ""he argued that any sounds we can hear can be music""? (WK 2007a; D.Harwood 1976) This radical tradition.
Are the performing arts really supposed to be so radical that, as John Cage once said in the context of music, ""there is no noise, only sound,"" since ""he argued that any sounds we can hear can be music""? (WK 2007a; D. Harwood 1976) This radical tradition.
Are the performing arts really supposed to be so radical that, as John Cage once said in the context of music, ""there is no noise, only sound, "" since ""he argued that any sounds we can hear can be music""? (WK 2007a; D. Harwood 1976) This radical tradition.
Is radical reinvention the key to winning in today's fast-paced world? Judging by the results of some of the world's best-performing companies, no. Building on a multiyear study of more than two hundred companies, Zook and Allen show how some of the world's best-known firms comb…
"An argument for simplicity from the bestselling authors of Profit from the CoreIs radical reinvention the key to winning in today's fast-paced world? Not judging by the results of some of the world's best-performing companies. In Repeatability, Chris Zook and James Allen--leade…
Based on a multiyear study of such firms as Apple, IKEA, and Vanguard, the authors warn against complexity as a strategy for business planning, advocating instead for a simple, repeatable model that provides for constant improvement.
This text examines the intersection of religion and theatrical performance in modernity/postmodernity. Religion, no longer sequestered in the 'private sphere, ' has become an explicitly public force. It stimulates and complicates public actions; it is a crucial component of perf…
After the Brazilian military took power in a coup in 1964, many artists tried to distance themselves from politics; others went into exile. This book covers the most culturally repressive years of the regime, from 1968-74 and looks at artists who found their own visual language …
