Richard Bradford argues that many traditional poets treat words as visual artefacts and that some poems demand to be interpreted like pictures.
Sound and sense in classical Arabic poetry
An early 10th-century Arabic critic defined poetry formally as "metrical, rhymed, meaningful speech". There are numerous studies of classical Arabic poetry, both pre-modern and modern, that deal with the themes and motifs of poems. Many of these pay scant attention to the formal…
Sound and sense in classical Arabic poetry
An early 10th-century Arabic critic defined poetry formally as "metrical, rhymed, meaningful speech". There are numerous studies of classical Arabic poetry, both pre-modern and modern, that deal with the themes and motifs of poems. Many of these pay scant attention to the formal…
Sound and sense in classical Arabic poetry
The author explores the work of fourteenth-century writers who discussed the intellectual implications of the religious idea of Incarnation in poetical and rhetorical forms. The book then goes on to discuss how the Incarnation of Christ allowed writers to meditate on the nature …
The Gospel of John describes the Incarnation of Christ as "the Word made flesh"—an intriguing phrase that uses the logic of metaphor but is not traditionally understood as merely symbolic. Thus the conceptual puzzle of the Incarnation also draws attention to language and form: w…
An exploration of the poetic qualities of the Greek tragic dramatists Aeschylus, Sophocles and Euripides highlighting their similarities and differences.
Greek tragedy is widely read and performed, but outside the commentary tradition detailed study of the poetic style and language of Aeschylus, Sophocles and Euripides has been relatively neglected. This book seeks to fill that gap by providing an account of the poetics of the tr…