This text contains theories of performance, which will make it appeal to students and scholars of the increasingly important area of musical and artistic performance. It contains several facsimiles of Adorno's handwritten musical notation.
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"In this book Martha Buskirk addresses the fact that since the early 1960s, almost everything can be and has been called art. Among other practices, contemporary artists have employed mass-produced elements, impermanent materials, and appropriated imagery, have incorporated perf…
An exploration of transformations in the nature of the art object and artistic authorship in the last four decades. In this book, Martha Buskirk addresses the interesting fact that since the early 1960s, almost anything can and has been called art. Among other practices, contemp…