"Media, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison's phonograph to digital …
"Media, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison's phonograph to digital …
Media, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison's phonograph to digital m…
"Media, Materiality and Memory: Grounding the Groove examines the entwinement of material music objects, technology and memory in relation to a range of independent record labels, including Sarah Records, Ghost Box and Finders Keepers. Moving from Edison’s phonograph to digital …
Songs of innocence and inexperience : the roots of Sarah -- Let's just communicate! : the 1980s fanzine underground -- How much do one thousand flexidiscs weigh? : when Matt met Clare -- Come to my world : the Sea urchins and the beginning of Sarah -- A constant source of bemuse…
"From 1987 to 1995, Bristol, England's Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native country-sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as ?indie-pop,? ?C86,…
During its eight-year existence, from 1987 to 1995, Sarah Records was a modest underground success and, for the most part, a critical laughingstock in its native England--sneeringly dismissed as the sad, final repository for a fringe style of music (variously referred to as indi…
