"Pietro Aretino's literary influence was felt throughout most of Europe during the sixteenth century, yet English-language criticism of this writer's work has hitherto been scarce. Raymond B. Waddington's study redresses this situation, drawing together literary and visual arts …
by Redondo, Jordi, Seaford, Richard, Carpenter, T. H., Thomas, Oliver, Charalabopoulos, Nikos G., Bierl, Anton, Jackson, Lucy C. M. M., Diggle, James, Slater, Niall W., Antonopoulos, Andreas P., Carrara, Laura, Catrambone, Marco, Christopoulos, Menelaos M., Cipolla, Paolo B., Harrison, George W. M., Hedreen, Guy, Kotlińska-Toma, Agnieszka, Krumeich, Ralf, Meccariello, Chiara, Michels, Johanna A., Nolan Pritchett, Hollister, O'Sullivan, Patrick, Palmisciano, Riccardo, Seidensticker, Bernd, Sfyroeras, Pavlos, Shaw, Carl A., Skotheim, Mali, Slenders, Willeon, Smith, Tyler Jo, Sonnino, Maurizio, Touyz, Paul M., Uhlig, Anna, Voelke, Pierre
The origins of satyr drama, and particularly the reliability of the account in Aristotle, remains contested, and several of this volume's contributions try to make sense of the early relationship of satyr drama to dithyramb and attempt to place satyr drama in the pre-Classical p…