"The still-life paintings of the Dutch Golden Age depict tables richly laid with products from the far corners of the earth, products attesting to the vast scope of the Dutch trade network. These pictures reveal much more about Dutch society and capitalist culture of the sevente…
"Poets Have Long Been Drawn to the images and techniques of still life. Artists and poets alike present intimate worlds where time is suspended in the play of form and color and where history disappears amid everyday things. The genre of still life with its focus on the domestic…
"An intricate and provocative journey through nineteenth-century depictions of food and the often uncomfortable feelings they evoke"--.
The late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examinin…
The late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examinin…
The late nineteenth and early twentieth centuries have been characterised as the 'age of speed' but they also witnessed a reanimation of still life across different art forms. This book takes an original approach to still life in modern literature and the visual arts by examinin…
From the publisher. Once considered marginal members of the animal world (at best) or vile and offensive creatures (at worst), insects saw a remarkable uptick in their status during the early Renaissance. This quickened interest was primarily manifested in visual images -- in il…
In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyses the origins, history and logic of 'still life', one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the…
Historically and culturally, the societies that produced still life painting could hardly be more diverse. What is it, then, that allows us to place such different types of image in a single category? Norman Bryson argues that the family resemblances between the different types …
In this, the only up-to-date critical work on still life painting in any language, Norman Bryson analyses the origins, history and logic of 'still life', one of the most enduring forms of Western painting. The first essay is devoted to Roman wall-painting while in the second the…